Salvation Mountain: A heap of commitment
Between the Salton Sea and the Chocolate Mountains — in what may sound, and look, like a space you’d land on in the old board game Candyland — there was a man, and a mountain, I needed to check in on.
About 12 years had passed since I first visited Salvation Mountain — Leonard Knight’s massive, hand-painted monument to God. I was a reporter for the Philadelphia Inquirer, fond of seeking out stories in the middle of nowhere. He was 67 by then, and had spent almost 15 years constructing his mountain out of hay, tires, adobe and more than 100,000 gallons of paint.
What struck me then was his incredible commitment to the task. What struck me this time is how, even after finding a modicum of fame, what with his own book and DVD and his appearance in the movie, “Into the Wild,” his determination and focus remain — not on himself, not on getting rich, but on the mountain, its maintenance and its continued survival.
Leonard, at 79, is still at it.
He can’t hear too well. His eyes are going bad. He walks with a pronounced limp, and he can no longer lift the hay bales he uses as bricks, or to mix up adobe, to fashion his ever-expanding monument.
While volunteers still drop by to make donations and help with the labor from time to time, on this particular day — Thanksgiving — he was alone.
“Have a seat,” he said, shifting over to the next chair. A blanket was stretched across posts to block out a relentless wind. For the desert, in November, temperatures were chilly. Leonard, wearing paint-spattered khakis, kept his hands stuffed in his jacket as Ace sniffed at the conglomeration of items in the back of his pick up truck.
Salvation Mountain looked much like it did 12 years ago — bright, bold and scripture-laden. But it’s far more famous now, with everyone from National Geographic to Ripley’s Believe it or Not finding it worthy of note. And after Leonard and the mountain were featured in “Into the Wild,” the 2007 movie based on the travels and eventual death in the Alaskan wilderness of Chris McCandless, interest in his monument rose again.
Even so, he said, maintaining the mountain, much less working on more recent additions — including a “museum” area that wasn’t there the last time I dropped by — has become a strain. The volunteers seemed fewer this year. Leonard blamed the weather. “The summer was too hot, the winter’s too cold, or it’s just too windy, like it is today. You can’t paint on a day like today.”
Crazy as the weather has been, it’s still better than his native Vermont, he said.
Knight was one of four children, born in Burlington, Vermont. He never liked school, got teased a lot, and dropped out in the 10th grade. In 1951, he joined the Army, was trained as a mechanic and got sent to Korea.
Upon his return, he worked as a mechanic in Vermont, supplementing his income by picking apples, which helped him raise enough money to make trips to Caliornia to visit his sister. He treasured the trips, except for the fact that she would make him go to church.
During one visit, after an argument with his sister, he stomped out and sat in his truck. There in the driver’s seat — for reasons he can’t explain — he found himself saying, “Jesus, I’m a sinner, please come into my heart” over and over again. Jesus, he says, did.
For the first time in his life, Leonard had a sense of direction — and it would be, as it turned out, a very strange direction.
In 1971, still in Vermont, he noticed a hot air balloon one day, advertising a brand of beer.
What if, he thought, he could market God similarly? He began researching and seeking materials to build a hot air balloon, and praying to God to help provide them, but for nine years it remained a distant and unreachable dream.
On a cross-country trip in 1980, he had engine trouble in Nebraska, and had to spend several days there. The mechanic working on his truck offered to help with the balloon project. They got a bargain on some material, and, for three years, Leonard stayed in Nebraska and sewed.
The balloon never got off the ground, though. When he came to the desert in Niland, California to make a final attempt to launch it, he discovered the material was rotted.
It was then, in 1985, his 14-year quest to launch a God is Love balloon over — that he decided to build a small replica of the balloon, in the middle of the desert, out of adobe. He planned to stay for a week in Slab City — a makeshift community of desert-dwelling loners, snowbirds, RV’ers and on-the-verge of homelessness types.
But what started as an 8-foot sculpture would become Salvation Mountain, rising about three stories high, an accumulation of tires and other junk salvaged and donated, coated with adobe and brightly painted with flowing rivers, budding flowers, a yellow brick road and Bible scripture –all topped by a big white cross.
It’s a constantly evolving work, and, as you might expect, it has fallen victim to both structural collapses and government bureaucracy, at both the county and state levels.
Leonard had his own tests done that proved otherwise.
County supervisors backed off their threats to shut him down, but by then all the free publicity from the controversy had added to the mountain’s legendariness.
Today, the mountain is more likely to be referred to as a work of folk art than an environmental hazard, and even though the mountain is a squatter — an unauthorized work on public land — Sen. Barbara Boxer in 2002 afforded it some protection when she entered it into the Congressional Record as a national treasure.
Leonard lives on the grounds of his masterpiece. He beds down for the night in a small cabin mounted on his 1930s-era fire truck, which like every other vehicle in his compound, be it tractor or bus, is covered with painted-on Bible scripture.
He works on it everyday, weather permitting. A newer “museum” wing, still under construction, features a tree whose base was created from tires and adobe, and whose branches he cut from dead and fallen trees nearby. He hauled them to the mountain, and bolted them on, painted them and added flowers, which he says are easily made by punching your fist in a mound of adobe not yet dried.
Leonard urged me to go take a look at the addition, and apologized for not making it a guided tour. His leg was bothering him. Ace wasn’t sure what to make of it. He explored its nooks and crannies, and, back at the main mountain, climbed up the yellowbrick road path to near the top.
When I returned and took a seat next to Leonard, he gave me a DVD of a documentary about the mountain, “A Lifetime of Childlike Faith,” and a Salvation Mountain magnet. I asked him what his plans were for Thanksgiving dinner and he said some friends were bringing him some turkey.
Leonard gave Ace a final pat on the head, and we said goodbye to the old man who lives in the desert, having learned, or relearned, at least two things.
One is that there’s a thin and sometimes not immediately discernable line between visionary and nut job, so be careful who you call a nut.
The other is that — however eccentric Leonard Knight may be, and no matter what your feelings are on God — faith can indeed move mountains.
Or even build them.
Posted by John Woestendiek November 29th, 2010 under Muttsblog.
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