Archive for 'videos'
Here’s a public service announcement that takes the story of Hachiko — the Japanese dog who waited at a train station for his master every day for nine years after he died — and gives it what is possibly an even more tear-jerking spin.
“The Man And The Dog” was created by director Rodrigo Garcia Saiz for Fundación Argentina de Transplante Hepático, Argentina’s liver transplant foundation.
It shows a loyal dog who follows the ambulance that takes his owner away to the hospital — not unheard of in real life — and then waits, and waits, and waits.
We won’t say any more than that, so as not to spoil the ending.
Garcia Saiz, who’s been called “one of the world’s leading Spanish language commercial directors” by Ad Week, has directed other hard-hitting PSAs worth viewing, including the distracted-driving spot “Discussion” and the anti-bullying spot “Playground,” according to o the advertising publication Little Black Book Online.
Posted by John Woestendiek May 22nd, 2015 under Muttsblog, videos.
Tags: ambulance, animals, argentina, death, dog, dogs, fath, foundation, Fundación Argentina de Transplante Hepático, hachiko, hospital, liver, loyalty, organ transplants, pets, psa, public service announcement, rodrigo garcia saiz, tearjerker, transplant, video
On your next family vacation why not let the dog take the photos?
Granted, you’ll likely end up with lots of shots of human knees and other dog’s butts, but you’d be on the cutting edge, technology-wise.
Nikon Asia has introduced “Heartography,” a photographic system that takes photos not just from a dog’s perspective, but — via a shutter trigger activated by increases in the dog’s heart rate — takes them of those subjects that excite a dog the most.
Heartography consists of a heartbeat monitor, a camera and a special housing that includes a shutter trigger activated when the dog’s heart rate rises.
The company video above shows how one dog, Grizzler, became a canine photographer with Nikon’s help.
Nikon Asia is billing the device as one that “turns emotions into photographs.”
CNET calls it more of a gimmick — a “publicity stunt for the Nikon Coolpix L31″ — and predicts it won’t catch on.
“The camera and 3D-printed case together are bulky, making the package an unlikely candidate for commercial production,” CNET reported. But the system “does give us a set of amusing images showing off all the things that get a dog excited, like people, upset cats and other dogs.”
Posted by John Woestendiek May 21st, 2015 under Muttsblog, videos.
Tags: camera, cameras, coolpix, coolpix L31, dogs, grizzler, heart rate, heartography, mounted, nikon, nikon asia, photographs, photography, photos, system, technology, triggers
Posted by John Woestendiek May 10th, 2015 under Muttsblog, videos.
Tags: animal videos, animals, bear, dog, dogs, elephant, happy mothers day, mothers day, mothers to the rescue, pets, rescue, videos
It’s not every day that a group of shelter dogs has its own art exhibit.
This one opens Sunday in São Paulo and it’s aimed at raising awareness about the plight of Brazil’s stray dogs.
Shelter dogs from Procure1Amigo were used to create the 18 artworks by shaking off the paint (edible and non-toxic) that was poured on them.
The paintings go on sale when the exhibit opens Sunday at São Paulo’s Perestroika. Photos of the dogs shaking their way through the creative process, channeling their inner Jackson Pollock, will also be for sale.
And the artists will be available for adoption.
It’s part of campaign called “Canismo,” an artistic movement supporting the adoption of shelter animals.
“The shake of the paint reveals a remarkable exercise of freedom, where each drop of ink bears the stain of prejudice,” reads a statement on the Canismo website.
“The combination of different colors in the paintings shows the mixture of breeds, as random and as beautiful as each mongrel dog.”
The brightly colored paints were made using corn starch and food coloring.
(Photo: Courtesy of Canismo)
Posted by John Woestendiek May 8th, 2015 under Muttsblog, videos.
Tags: adoption, animals, art, brazil, canismo, canvas, dog, dog art, dogs, exhibit, mutts, paint, pets, shaking, shelter, strays
Here’s a poignant mini-documentary about two newly released prisoners whose reentry into society was made easier when they adopted shelter dogs.
It’s a true story, nicely told.
And it doesn’t look like a dog food commercial at all — until the Pedigree logo appears at the very end.
The four-minute film isn’t a commercial per se, but it is part of a new global campaign by Pedigree, the dog food company, which financed its making.
Why? Because advertising isn’t just about advertisements anymore.
Gone, since the Internet, are the days when a company wanting to tout a product was limited to getting its name emblazoned on billboards, slipped into your (real) mailbox, slapped on the pages of newspapers or broadcast in between sitcoms.
Today, there are plenty of other routes a company can take to get into the hearts and minds of customers. from Facebook to YouTube, from contests and prizes to proudly publicized philanthropic efforts, like helping dogs — all aimed at getting you to love them, or at least garner your “like.”
As a result, not all promotions of products are as blatant and in your face as that shouting, mildly deranged car dealership owner on TV. Some even come close to serious journalism, or, dare we say it, art.
This film was made by a Brazilian production company. It follows Joey and Matt, two former inmates just released from prison. It documents their uncertainty, loneliness and confusion, and shows how, by adopting dogs — apparently at the urging of Pedigree — they began overcoming the problems they faced.
Matt, who served two years for burglary, visited a shelter not long after his release, where he adopted a dog named Jeanie.
“They all looked kind of sad,” he says of his visit to the shelter. “Just like I was — just caged in.”
After adopting Jeanie, he feels as if his “future’s bright again.” He starts going on job interviews and, with his new dog along, reunites with his estranged dad.
Joey had done 12 years, the last four of which he was enrolled in a prison dog training program.
After his release, he adopted a black dog named Sadie who helped him cope with the loneliness and brightened his outlook. He ended up getting a job as a dog trainer.
The film tells their stories without once mentioning Pedigree, or sneaking a bag of Pedigree dog food into the frame. Only once it’s over do we see the Pedigree logo at the end.
Like an ad, the film has a tagline: “You save a dog. A dog saves you.”
What’s that got to do with dog food?
“By nourishing the lovable innocence in every dog, Pedigree helps feed the good they bring to the world,” explains Leonid Sudakov, CMO of Mars Global Petcare.
The documentary is part of a global campaign by Pedigree called “Feed the Good” that will include TV, print, online, in-store and social media.
I don’t feel the need to thank Pedigree for “nourishing the lovable innocence in every dog,” but I do like the new campaign’s message, and I find it far more palatable than those creepy ads for Pedigree Dentastix featuring dogs equipped, through special effects, with human teeth.
What’s most interesting, at least to me, is how the new campaign — at least through this little documentary — reflects how marketers are moving closer to telling stories, in some cases true stories, in some cases stories with some depth, all while mainstream news media, it can be argued, grows more lax in that mission.
“Advertising is moving into this new territory of content storytelling — a more emotional engagement,” Alex Mehedff, who made the film with his brother Ricardo, said in an interview with Adweek. “… We hope it will move people, engage emotionally with the audience … and place the brand in a very special place.”
(You can find more of our “Woof in Advertising” posts here.)
Before Lassie, before Rin Tin Tin, even before broadcast television itself, there was Petey — the canine character in the Our Gang/Little Rascals comedies who sported a distinctive dark circle around his right (or was it left?) eye.
Just as plenty of myths have floated up and been deflated around the kid actors who played roles in the series — like Spanky, Alfalfa and Buckwheat — the historical record is so fuzzy when it comes to Petey that trying to separate the facts from the fictions can leave one … well, stymied.
I knew the dog who played Petey was a pit bull (though some dispute that). I assumed the ring around his eye was entirely fake (though some dispute that, too). I’d heard he, in real life, was murdered and that he was buried in a Los Angeles pet cemetery (though not everybody agrees on the specifics of those events, either).
When it comes to the canine star of the Our Gang/ Little Rascals comedies, there’s not too much one can say definitively — partly because there was more than one Petey, partly because 80-plus years have passed, and partly because it all happened in Hollywood, a land where truth and myth often spill across their borders and into each other.
But I’m relatively sure this karma-filled episode — in which Petey is put into a gas chamber by a cranky dog warden who goes on to get what he deserved — was, ironically, Petey’s last. (Or at least the second Petey’s last.)
Entitled “The Pooch, it came out in 1932 — like all the “Our Gang” comedies, in movie theaters. Not until 1955 were they syndicated to appear on television as “The Little Rascals.”
The episode stars the second Petey, son of the first Petey, both of whom were owned by trainer Harry Lucenay.
Pal had appeared earlier in the role of Tige in the Buster Brown comedies.
It was for that role that, with dye, a partial dark circle around his eye was turned into a permanent full circle.
After signing a contract with Hal Roach Studios, Pal reportedly became the second highest paid actor of the “Our Gang” series.
Pal’s last appearance was in the 1930 episode, “A Tough Winter.”
Legend has it that Pal, in real life, died after eating meat tainted with poison, or glass. Some reports say the culprit was someone with a grudge against Lucenay.
Then again, legend also has it that Pal was buried with the actor who played Alfalfa, which — given the decades that passed between their deaths — is likely not true at all.
After the death of Pal, who appeared mostly in the “Our Gang” silent films, Lucenay turned to one of Pal’s descendants, a pup with slightly different coloring.
The second Petey, named Lucenay’s Pete, was just six months old when he took over the role. He lacked Petey One’s distinctive eye circle, so one was supplied by a make-up artist named Max Factor, according to Wikipedia.
Likely unaware that it would lead to confusion, the trainer had the second Petey’s circle applied around his left eye, while the first Petey’s encircled his right eye.
Eight decades later, the migrating eye circle remains one of the most hotly debated pieces of Little Rascals trivia.
As a rule, if you see a Petey with a circle around his right eye, it’s the first Petey; if you see a Petey with the circle around his left eye, it’s Petey two.
All that gets further complicated, though, by the fact that many of the images one can find of Petey are the result of reversed negatives, and even more complicated by the fact that, all along, multiple dogs, with slightly different markings, were used in the filming of the series.
Apparently, continuity was not too much of a concern among directors back then.
In any case, the second Petey served from 1930 to 1932, when Lucenay was fired.
There were multiple subsequent dogs — all from different bloodlines — who played the role of Petey between 1932 and 1939, when the final Our Gang episode was released in theaters.
The second Petey retired with Lucenay to Atlantic City and would die at age 18.
Like so much else about them, the second Petey’s final resting place, as with the first Petey’s, is disputed, according to Roadside America.
While Petey was a pit bull, an American bulldog was used in the 1994 “Little Rascals” movie.
Posted by John Woestendiek May 4th, 2015 under Muttsblog, videos.
Tags: alfalfa, animals, buckwheat, circle, dog, dog warden, dogs, dye, entertainment, eye, gas chamber, harry lucenay, little rascals, our gang, pal, pete, petey, pets, pit bull, pitbull, rumors, spanky, stymie, the pooch, trainer, trivia, urban legends
Nala isn’t an officially certified therapy dog.
Her presence at a Minnesota nursing home, apparently, didn’t require her owner to navigate a bureaucracy or fill out mounds of paperwork.
She was never trained to make people feel better. She just, like many a dog, magically does.
The tiny teacup poodle, who comes to work with her owner — medications assistant Doug Dawson — makes the rounds daily at the Lyngblomsten care center, somehow figuring out not just how to ride the elevator to get from room to room, but who at the nursing home might most need a visit from her.
It’s another one of those feel-good stories about a dog bringing comfort, hope and smiles to residents of an otherwise impersonal institution.
Let’s hope this one doesn’t get crushed.
On Wednesday, we told you about Ivy — a Siberian husky whose owner, a janitor at a University of Rhode Island dormitory, brings her to work with him everyday. And how Ivy, through bonding with the students who live there, has made it, in the view of most, a better place to be. And how the university, after the school newspaper ran a feature about the dog, banned Ivy from campus — even though she is certified as a therapy dog — citing things like rules and liability concerns.
Today we bring you Nala, who, fortunately, is spreading her magic at a facility that — rather than fretting about pests, bites and liability — seems to recognize a gift when it sees one.
Dawson brings Nala to work with him each morning, then lets her go her own way.
She spends the day popping into the rooms of residents, hopping in their laps and getting petted and nuzzled before moving on to the next room, according to this report by KARE 11
“She’s an angel,” 90-year-old resident Ruth New said. “I love her and she loves me.”
Nala, Dawson says, seems to have an uncanny knack for knowing who needs a visit, and knowing how to get there, even when it involves riding the four-story building’s elevator.
He says Nala was too young at the time, and had spent too much time in a kennel.
Now 5 years old, Nala has redeemed herself at Lyngblomsten.
“If you put her down she’ll pick out the person with Alzheimer’s,” said Dawson. “She has a way of picking the sick.”
After the recent death of one resident, Nala entered her room and stationed herself at her side.
“She had died earlier in the morning, but Nala knew and went and sat with her,” said Sandy Glomski, a Lyngblomsten staffer. “It was wonderful and we were all in tears.”
Dawson says he’s constantly amazed by both Nala’s compassion and her ability to navigate the nursing home’s floors on her own.
“She’s here for a purpose,” he said. “She really is doing God’s work.”
That’s kind of what dogs will do when humans — and especially bureaucrats — don’t get in the way,
Posted by John Woestendiek April 17th, 2015 under Muttsblog, videos.
Tags: alzheimers, animals, assisted living, bureaucracy, dog, dogs, elevator, home, institutions, ivy, liability, lyngblomsten, magic, minnesota, nala, nursing, pets, poodle, teacup, therapy dogs, university of rhode island