A formerly homeless man who once sold his sketches for pocket change on the streets of London’s now sells them for thousands of dollars at exhibits — and credits his dog for turning his life around.
Up until a few years ago, John Dolan, 43, had been a heroin addict whose life had seen more than 300 criminal convictions, 30 stints in prison and long stretches of homelessness.
He was living on the streets when he took in George. The young Staffordshire bull terrier had been living with another homeless couple who had had acquired him in exchange for a can of beer. They’d found housing, but not dog-friendly housing, and George needed a home.
Dolan, who hadn’t exactly been living a life of responsibility, was worried about whether he was up to having a dog.
“How was I going to cope with him? I couldn’t even cope with myself,” he told the Guardian.
But George, he noticed, had a way of looking him in the eye when he talked, and the two quickly bonded. Dolan says it was the fear of losing George if he went to prison again that led him to give up crime.
“He’s like my child in a sense and I feel obliged to keep a roof over his head and keep him warm,” he said.
Of course, George was helping Dolan out in other ways, too. Dolan made more money panhandling when George was at his side. Still, Dolan says, he felt embarassed by begging.
“Sitting there holding out my hand was so embarrassing, so degrading. I didn’t like to look at people as they went past. I picked up the pen mainly so I could bury my head in a drawing pad.”
He started drawing the buildings, and drawing George, and, sitting with his dog on the sidewalk, he would sell the drawings for whatever he could get.
Then he was discovered. First he was commissioned to do some drawings for a book. Then a gallery director, Richard Howard-Griffin, asked if he would draw some large streetscapes for him.
Last fall he had his first exhibit. His second is now underway at the Howard Griffin Gallery in London, with proceeds being donated to The Big Issue Foundation and Battersea Dogs and Cats Home.
Another exhibit, in Los Angeles, is in the works. And Dolan has published a book, “John and George: The Dog Who Changed My Life.”
Dolan has a home now, but still sits on the street and draws, with George.
“I feel like he’s a guardian angel. If it hadn’t been for him I’d have never picked up my pen.”
(Top pPhoto: David Levene / the Guardian)
Posted by John Woestendiek July 21st, 2014 under Muttsblog.
Tags: addict, angel, animals, art, artist, battersea dogs and cats home, big issue foundation, discovered, dog, dogs, george, guardian, homeless, homelessness, howard griffin gallery, john and george, john dolan, london, pets, poverty, responsibility, staffordshire bull terrier, street artist, the dog who changed my life
I’m not sure what I love more about this artist — her paintings, her name, her theme or her determination.
Levity Tomkinson is a Kentucky artist who has tackled a serious project — painting all 51 of the dogs seized from Michael Vick’s dogfighting operation in 2007.
She’s more than one-fifth of the way there.
Finding herself struck by the resiliency of those Vick dogs who were rescued and rehabilitated, Tomkinson got the idea in 2012 and started what she calls The Re51lient Project.
Tomkinson had started painting dogs — beginning with her own, a pit bull mix named Rinlee – in 2010, when, after graduating college, she found herself without any good job leads.
After reading an article about Vick dogs who had been rehabilitated and adopted, the project began.
“I thought of the idea during a time in my life that was really unpleasant, where I was trying to find meaning and happiness and purpose again, and these dogs were absolutely a part of my healing process. They inspired me to be positive, to smile and look at the world and appreciate all different kinds of beauty …. I am forever indebted and grateful to these dogs for changing my life.”
Like many dog lovers, Tomkinson was moved how many of the dogs taken from the NFL quarterback’s Bad News Kennels managed to overcome the horrors inflicted on them there.
As she explains it on her blog, “I cannot begin to fathom the daily lives of the 51 dogs who were rescued, and those before who weren’t. I paint for the 51 …
“I paint for the dogs … that didn’t win in a fight they never wanted anyway, dying from injuries with punctured skin and a mauled lip and face that became raw meat. I paint for the dogs … with that were forced into a rape stall to unwillingly bring more dogs into the world of dog fighting. I paint for any dog who has been, is, or will be a part of this heinous world. The resiliency of the 51 is my courage, my push, my determination, and my love for this project.”
Tomkinson, according to the Huffington Post, hopes to turn the project into a book, with portraits of all 51 dogs — those who were adopted and those who spent the rest of their lives in sanctuaries.
“Every single dog has importance and a story to tell, something to teach us, and either their passing or not being adopted doesn’t lessen their message or them,” she said.
“If Re51lient can empower one person to choose positivity over negativity, triumph over fear, allow them to let go of past hurt or add one more pit bull lover to this world, then my heart is happy. ”
(Photos: Lucas, a former Vick dog who died last year at Best Friends Animal Sanctuary; Tomkinson, from her Facebook page; and Ray, a Vick dog adopted this year)
Posted by John Woestendiek May 7th, 2014 under Muttsblog.
Tags: art, artist, artists, dog, dog art, dog artists, dogfighting, dogs, kentucky, levity tomkinson, michael vick, paintings, pit bull, pit bulls, pitbull, pitbulls, re51lient project, rehabilitation, rescue, resilience, resiliency, resilient project, vick dogs
You know how frustrated you get when you have to tell your dog something over and over again?
Come here. Come HERE. Listen to me. Get over here right now. Don’t make me say it again. COME HERE!
In this video, the shoe is sort of on the other paw.
John Ventresco, of New Hampshire, is trying to persuade his 11-month-old husky, Blaze, to get into her crate.
Not only does Blaze physically (but peacefully) resist, refusing to budge, but she says what sounds like “no” — 30 times by my count, at least 10 of those quite clearly:
Posted on YouTube just two weeks ago, the video is approaching 5 million views, meaning a lot of people are getting a chuckle, and learning how not to train a dog, and debating whether Ventresco — as gentle and good-humored as his urging is — is going to get bitten one of these days, and, if so, will he have deserved it.
Eventually one of them will have the other properly trained, I’m just not sure if it will be Ventresco or Blaze. Right now, it appears to be a draw.
The bigger question it raises, to me, anyway, is whether the day will come when dogs really do talk. I predict it will — that they will someday talk, on their own, without the aid of implants, headsets, devices that monitor their brain waves and apps that translate what they’re thinking into words.
Several projects are underway that do just that — because we humans want to know what’s going on in their heads, and we want to know now, and somebody somewhere thinks it might make some money.
We’ll take advantage of technology to bring that about and get it on the market as soon as possible, rather than wait a few hundred or thousand more years when, I’d venture, dogs will have evolved to the point that they’re talking on their own anyway.
It’s only natural for that to happen, with them living so closely to us, observing us around the clock, and watching too much TV. They will continue to pick up our skills – learning to operate a remote control, warming up some chicken nuggets, uttering words, then entire phrases.
Mark my words. By the year 2525 (and that’s just a wild guess), dogs will be saying “yes” and “no,” and more:
I want to go outside for a while.
But wait, there’s more. Details at 11. Ohmigod, they killed Kenny. Live from New York, it’s Saturday night.
Put me in that damn crate again and, I swear, I’m going to call my attorney.
They may never have as sophisticated a vocabulary as us, may never be as erudite, snotty, self-promoting and adept at making barbed comments as us. But the day will come that they use words.
The question is not whether dogs will someday learn to talk. It’s whether, when they do, we’ll listen.
We already stink at that — in terms of listening to our fellow humans, and in terms of hearing what our dogs are silently saying. We’re so dependent on words we don’t hone our wordless communication skills, even though that mode is often more honest and meaningful.
My fear is that, through continued domicile-sharing with humans, dogs are going to learn to talk, but also – like Blaze, like Ventresco — not to listen.
It all brings to mind some lyrics from a song that has nothing to do with dogs — Don McLean’s “Vincent.” When you think about it, the misunderstood artist and modern day dog have much in common. We wonder what they’re trying to say, fail to see their brilliance, and don’t appreciate them fully until they’re gone.
Instead, often, we taunt, ridicule and shame them.
How much shorter might Van Gogh’s career have been, how many appendages might he have lopped off, were he around in the Internet age, reading nasty comments from people about his paintings?
How much quicker might the civil rights movement have progressed if people had shut up and listened to Martin Luther King, Jr., the first time?
Are we getting any better at listening, or quicker to turn a deaf ear?
As the song “Vincent” says:
They would not listen, they’re not listening still.
Perhaps they never will…
Let’s give it a listen.
Posted by John Woestendiek January 20th, 2014 under Muttsblog, videos.
Tags: animals, apps, artist, behavior, biology, blaze, civility, cognition, comments, communication, crate, devices, dog talk, dog training, dogs, don mclean, evolution, headsets, humans, husky, impatience, implants, internet, kennel, listen, listening, martin luther king, martin luther king jr, misunderstood, mlk, mlk day, no!, noooo, persuasion, pets, refusal, repetition, resistance, siberian husky, skills, starry starry night, stubborness, talking, talking dogs, technology, thoughts, training, translation, van gogh, video, vincent, viral, vocabulary, vocalizing, what part of no don't you understand, words, youtube
And apparently it was — at least in one person’s view.
It sold for $378.
That’s at least $100 more than a new pair of the Cole Haan wingtips costs.
The shoe, size 11-1/2, was the work of an “emerging canine artist” named Jack, according to the listing on ebay.
“This unique presentation of a meticulously destroyed dress shoe is the first of its kind by Jack. The piece features absent toe and vamp portions of the shoe, removed through a secret chewing process, known only by the artist, with razor-like precision but requiring brute strength…
“‘Half-Chewed’ exhibits only the finest craftsmanship, as is characteristic of works by Jack. For the performance aspect of the piece, the artist ingested the dissected portion of the shoe. In a post-modern twist on interdisciplinary performance art, there was no audience for his act of passion … The work has been interpreted by contemporary art critics as a statement on class in the wake of the American recession, a painful and complex subject for the modern American dog.”
According to the owner of the dog and seller of the shoe, Jack is a two- year-old Dalmatian mix “who started his life on the streets of rural Virginia before being detained by a county animal control facility and then adopted by his current owner, whose many possessions have become blank canvases for Jack’s defacement techniques.”
The ebay post says some of Jacks earlier works include ”Berber Carpet Removal, 400-Thread-Count Sheet Shredding No. 1, A Million Pieces of a Bluetooth Headset, Exposing the Mysterious Innards of a Couch Cushion, Urinating on My Owner’s Sister’s Bed, Freeing of the Garbage from the Shackles of the Glad Bag, and of course, the well-known 400-Thread-Count Sheet Shredding No. 2.”
The seller says he will donate part of the proceeds of “Half-Chewed” to a Washington D.C. area pet rescue organization.
Posted by John Woestendiek October 18th, 2013 under Muttsblog.
Tags: animals, art, artist, chew, chewed, cole haan, dalmatian, dog, dogs, ebay, half chewed, jack, mix, pets, sells, shoe, shoes, wingtips
Chances are you could find an unemployed party clown who would make you a balloon dog for a pretty reasonable price, if not for free.
Or you could buy this one — for $35 million or so.
Artist Jeff Koons has made five “Balloon Dog” sculptures over the years, but this one — his first — will be auctioned off by Christie’s in November. “Balloon Dog (Orange)” has an estimated price tag between $35 million and $55 million.
And if you think that’s too hefty a price to pay for a 12-foot, stainless steel sculpture of a balloon dog, consider this: Koons, while he conceives his works, often doesn’t do the actual hands-on work himself, relying instead on a team of assistants.
Koons set a personal record last year when his sculpture, “Tulips” sold for $33.7 million at Sotheby’s.
“Balloon Dog (Orange)” is being sold on behalf of the Brant Foundation Art Study Center in Greenwich, Connecticut. Proceeds from the sale will be used to help fund future activities of the foundation, according to ABC News.
It is one of five metallic dog pieces produced by Koons. The other dogs are yellow, blue, magenta and red and are owned by wealthy businessmen who, we’d guess, probably don’t have time for real dogs.
On its website, Christies calls the work ”one of the most recognizable images in today’s canon of art history…
“This monumental work, with its flawless reflective surface and glorious color, is the most beloved of all contemporary sculptures. Its spectacular form has been celebrated around the world, having graced the rooftop of New York’s Metropolitan Museum of Art, Venice’s Grand Canal, and Versailles Palace outside Paris. It has become an icon of Popular vernacular, adored by the public and collectors for its unabashed celebration of childhood, hope and innocence.”
If a symbol of unabashed innocence isn’t worth $55 million, what is?
Posted by John Woestendiek September 10th, 2013 under Muttsblog.
Tags: $55 million, animals, art, artist, auction, balloon dog, bidding, bids, brant foundation, christie's, dog art, dogs, for sale, jeff koons, orange, pets, sale, sculpture
It’s easy to ignore statistics. They’re cold and dry and lack soulful eyes. And when the numbers are overwhelming — like the 5,500 unwanted dogs who are put to death daily in U.S. shelters — we tend, as a rule, to find life is more comfortable and less depressing when we don’t do the math.
Louisville artist Mark Barone is an exception to that rule. Rather than ignore the problem, he decided to put a face on it — 5,500 of them, in fact.
For two years now, he has been painting portraits of dogs who have been put down at shelters across the country, and he’s more than halfway to his goal: 5,500 portraits that he hopes will someday — unlike their subjects — find a forever home.
Their hope is the works will someday be displayed in a permanent memorial museum, which — between its emotional impact and the funds it would help raise for no-kill rescues and shelters – could help lead to their larger goal, a no-kill nation.
Mark, a well-established artist, had moved to Santa Fe when, about three years ago, he lost his dog of 21 years, Santina.
“It was kind of a sad time, and I thought it would be therapeutic for Mark to go to the dog park,” Marina recalled. “I thought it would be helpful for him to get some dog love, and it was. It was really great. It got me in the mood to think about adopting another dog. Mark wasn’t at that stage, but it didn’t stop me from looking.”
Looking for adoptable dogs online and at local shelters, she quickly learned the sad reality that she says neither she nor Mark, up to then, were aware of — that millions of dogs in need of homes are put down at shelters every year.
“Instead of finding a dog, I found out all these horrifying statistics,” she said. She shared them with Mark, along with images and videos of dogs who had been, or were on the verge of, being put down.
He asked her to stop sharing, but she kept up.
“If we don’t look at it, nothing will change,” she said. “So he looked at it, as painful as it was, and day or two later, we were standing in the kitchen and he asked me the number of dogs killed everyday in the country … I gave him the number 5,500, based on statistics from Best Friends.”
It was then that the idea of honoring shelter dogs by painting 5,500 portraits of those who had been killed was born, and along with it, the longer term plan of a memorial museum, along the lines of the Vietnam Memorial and the Holocaust Museum.
Santa Fe wasn’t interested. Louisville was among about 30 places that were.
That’s where the couple lives now, and where Mark has completed about 3,200 of the portraits — some of them life- sized, some of them larger.
“It’s the big ones, 8 feet by 8 feet, that slow things down,” Mark said.
Only one of the 8×8-foot paintings depicts a dog who died a natural death — Mark’s dog, Santina. According to Marina, Santina will serve as the gatekeeper of the exhibit. Other large portraits feature Batman, a 10-year-old pit bull who was left outside in 21 degree weather, and was found dead at a shelter the next morning, and Grant, who was deemed unadoptable due food bowl aggression and put down.
The large paintings — there will be 10 of them — will include the individual stories of those dogs, representing the most common reasons shelters give to put animals down.
Mark and Marina are still looking for a permanent place to house the works, and for sponsors and benefactors for the museum, and they have some promising leads, both in Louisville and around the country. In addition to being an educational center, the museum would also be an outlet for selling merchandise that features the images – shirts, cards, and other products. An Act of Dog, which is a nonprofit organization, would pass on all profits to no-kill facilities and rescue groups.
The dogs in the paintings come from shelters all around the country. Their photos are submitted by rescue groups, volunteers and shelter employees. They have all been put down.
Mark and Marina object to the use of the term “euthanized” when it’s applied to healthy animals. “Deliberately ending the life of a healthy and treatable pet is killing. Deliberately ending the life of a medically hopeless and suffering pet is euthanasia,” Marina said. They don’t much like “put to sleep,” either.
“Semantics are a powerful way to keep people from the truth and our mission is to show reality without the candy wrapping,” she added.
Mark paints everyday, from sunrise to sunset. At night, he and Marina work on the An Act of Dog website. They’re both foregoing salaries at this point.
Mark has served as a consultant to cities interested in using the arts to revitalize blighted areas, among them Paducah, Kentucky, and its Paducah Artist Re-locaton Program. Marina worked 20 years coaching corporate executives.
“We could turn away and pretend like we didn’t see what we saw, or we could do something about it,” she added. “If that means we have to live poor, we’re OK with that, because we know we did something.”
They’re working now in studio space provided by the Mellwood Art Center in Louisville, where they did end up adopting a new dog, named Gigi, from a local shelter.
What drives the couple, though, are all the dogs who don’t get out alive — the thousands put down each day.
“The no-kill movement is making strides, but not fast enough,” said Mark who, on those days he doesn’t feel like painting, reminds himself of the bleak numbers, and the 5,500 reasons — every day — he must continue.
(Photos and video courtesy of An Act of Dog: At top, a collage of Mark’s paintings; Mark and Marina in their studio; some of the larger paintings, with Mark’s former dog, Santina, at left; and three shelter dogs dogs Breeze, Freckles and Sky)
Posted by John Woestendiek May 10th, 2013 under Muttsblog, videos.
Tags: act of dog, an act of dog, animal welfare, animals, art, artist, death, dogs, euthanasia, faces, holocaust museum, kentucky, killed, killing, louisville, marina dervan, mark barone, mellwood art center, memorial, museum, no kill nation, no-kill, painting, paintings, pets, portraits, project, put down, put to sleep, rescues, santa fe, shelter, shelter dogs, shelters, statistics, vietnam memorial
I believe there is an interior decorator within all of us.
I would like the one within me to leave now.
That’s because he’s an annoying little twit who’s spending too much of my time and money in his attempt to make everything “just so,” insisting on “color schemes” and “balance” and “flow,” and of course “bold accessories that really make things pop.”
I like to think that I’ve always had some taste, that I’m a notch above those uncivilized brutes who – having never watched HGTV, having kept the interior decorator within them buried — are content with soft reclining seating (built-in cupholder optional), a wall-mounted flat screen TV the size of your average billboard, and nothing in between to obstruct the view.
For one, Ace and I have just completed a year on the road, most of which was spent hopping from pet-friendly motel room to pet-friendly motel room every day or two. Remember the Motel 6 bedspread? We do. In those places we stayed longer – a friend’s sailboat, a trailer in the desert, an empty house and the basement of a mansion – we weren’t afforded much opportunity to make them “our own.” After all that flitting about, I think I developed a zest to nest.
For another, while staying in the basement of a mansion in North Carolina for the past month (with free cable TV provided), I became briefly addicted to Home & Garden Television (HGTV) – and all those shows that showed people moving to new homes, or renovating and redecorating their old ones. I despised many of those househunters and homeowners – because they were whiny and spoiled – but I also, for reasons I can’t pinpoint, or don’t want to, envied them.
On top of all that, the place we’ve moved into is special – to me at least. It’s the very apartment unit my parents lived in when I was born and, while dozens of people and families have moved in and out of it since then, I hoped to make it mine again, tip my hat to its heritage and make it presentable.
So join me now for the reveal, keeping in mind that — unlike those HGTV programs — we had virtually no budget to work with. Nevertheless, I’d appreciate it if you say “ohmigod!” a lot on our walk-through, because that’s what they do on all those home makeover shows.
We’ll start in the living room.
Among its featured pieces are my mother’s old couch, an old family desk, an old rocking chair, a wingback chair that once belonged to my father’s parents, my cousin’s coffee table and my mother’s old footstool featuring the needlepoint of great aunt Tan, seen here (in the lower right corner) before I stripped off the old cover and discovered the prize beneath.
I chose copper-colored faux silk drapes from Target for the living room — one of my first, and one of my few, purchases. I just thought they looked cool, and that I could build my color scheme around them.
That gave me copper, burgundy and gold (in the big chair) and blue (the couch). Fortunately, I found a cheap area rug at Wal Mart that bespoke them all, and which, in my non-expert opinion, really ties thing together. I describe my color palette — yes, palette — as being based on elements of the earth: copper, silver, gold, water, wine (I consider wine an element) and silver.
While the living room, through its furniture, bows to tradition, its more modern artworks, I think, make for an eclectic mix – eclectic mixes, such as my dog Ace, being the best kind.
At first I had some concerns that the piece — its inspiration, Lance says, being a silver, Airstream-like trailer — would disappear on my grey walls. To the contrary, I think it works well … subtly, as if to say, yes, I am here, but I am not going to shout about it, even though I am silver.
You can learn more about Lance and his art — his father played major league baseball, and younger Lance once bartended at Baltimore’s Idle Hour, a bar in which Ace spent his formative years — at his website.
But back to my place. On the living room’s opposite wall, I – believing there is an artist in all of us, too — have commissioned myself to paint my own piece of modern art, of copper and blue and maybe some red, further establishing our color scheme.
The goals I was trying to achieve in the living room were comfort, simplicity and a rustic elegance that says “come in, sit a spell, OK you can leave now.”
Moving on to the dining room, I found some discounted copper-ish drapes with swirly things on them to echo, somewhat, those in the living room. The dining table was a Craigslist find and the featured artwork is a portrait of Ace resting by a waterfall in Montana, painted by my friend Tamara Granger, Ace’s godmother.
Again, I was striving for simplicity, making sure not to use too much or too-large furniture, since that prohibits Ace from easily navigating the house.
Decorating around your dog (don’t laugh, a lot of people do it) is crucial, especially when he’s 130 pounds. That’s probably why he doesn’t — as much as he’d like to – go in the kitchen, which, in terms of floor space, measures about the same size as his crate.
In it, one can accomplish all kitchen duties without walking — a simple pivot step is all that is required, or permitted. The kitchen features another of Tamara’s artworks, a big black bird, hung over the stove, where it echoes the greys and silvers elsewhere.
Behind the kitchen and dining room is an added on room — not part of the house when I first lived in it — that will serve as a laundry area, once I figure out where to put all the junk now stored there and get a washer and dryer.
In my sole bathroom, I have put up a shower curtain of turquoise, and hung towels to match. So it is white and turquoise. I think it needs another color.
My bedroom is simply decorated with a box spring and mattress that sit on the floor, the better for Ace, until his back problems improve, to climb in. There are two end tables, and a dresser whose origins I don’t remember, and another TV. With cable television starting at $60-something a month, I have opted for the far cheaper, totally undependable and highly unsightly digital TV antenna.
As we enter the guest room/home office, we pass two old editorial cartoons in the hallway — a preview of a bigger collection ahead which pays homage, if you will, to those talented and artistic souls who were once able — and in some cases still are able – to make a career at newspapers out of hoisting the rich and powerful on their own petards.
Amazingly, they were able to do this even though hardly anybody knew what a petard is. While, in modern day slang, some use it as a derogatory term for members of PETA, a petard is actually an explosive device. The phrase ”hoist by one’s own petard” means to be undone by one’s own devices.
Editorial cartoonists are becoming an endangered species, but I was always a huge admirer of them — for they were people whose jobs seemed more like playtime, who were allowed to be goofy, and who had the power to makes us laugh, think and feel, sometimes all at once.
They could, and some still do, bring attenton to an injustice, afflict the overly comfortable, and point out that the emperor isn’t wearing anything — all with just a sketch and a punchline. It’s a shame many newspapers have opted not to have their own, anymore, because I think we have more naked emperors walking around on earth than ever before.
My collection — mostly from the 1950s and 1960s — includes the original works of Tom Darcy, Burges Green, Sandy Huffaker, Bill Sanders, Cliff Rogerson, Edmund Duffy, D.R. Fitzpatrick and C.P. Houston.
I lined their works up in two rows above my futon, AKA Ace’s bed, the arms of which still bear the scars of his gnawing on them as a pup.
They, too — those gnaw marks that angered me when I discovered them but now view as Ace’s childhood art – are part of the decor now, another little piece of history, or at least his history. I wouldn’t cover them up for anything.
Rounding out the home office furnishings are my old library table, two dinged up file cabinets, an office chair, an actual bed made for dogs, and four newly purchased, less than stalwart Wal Mart bookshelves, ordered over Internet.
What’s now the home office was 57 years ago my bedroom. From birth to the age of one, I shared it with my older sister.
The futon — long Ace’s favorite place to rest, and from which he watched me write my book — is one of five soft sleeping areas he now has to choose from. He also sleeps on my bed, the living room sofa, actually a loveseat, the actual dog bed, passed down from his Baltimore friend Fanny, and the Wal Mart rug that bespeaks the colors of my decor, and, come to think of it, of Ace as well.
This is where we’ll end our reveal, and we apologize if it was overly revealing.
(Next week: A look at the family that lived in the house that’s gone from being my crib to being my crib.)
Posted by John Woestendiek May 11th, 2011 under Muttsblog.
Tags: ace, america, animal, apartment, art, artist, baltimore, birthplace, cable, cartoonists, cartoons, color scheme, copper, crib, decorating, dogs, eclectic, editorial cartoons, end of the road, furnishings, furniture, hgtv, hoisted, home, house, idle hour, journalism, lance rauthzan, mixes, nest, nesting, newspapers, north carolina, petard, pets, reveal, revealing, road trip, settled, settling, silver, tamara granger, target, television, travel, travels with ace, walmart, winston-salem