This trip, whatever else it’s about, is also about nostalgia, and I got a big dose of it on the drive to Houston – most of it induced by the long-distance driver’s best friend, the radio.
Music, like old friends revisited and roads previously traveled, can be a powerful memory trigger.
Music and roads, in fact, have a lot in common.
The road itself has a rhythm – the steady thwack-thwack percussion of cracks in the highway, the different humming tones produced by different road surfaces, the rat-a-tat drum roll when you accidentally veer across those lane divider bumps, which always causes Ace to, ever so briefly, wake up.
Then, on the Interstate at least, there is the familiar chorus: Exit ahead … Food, Gas, Lodging … Shoney’s, Cracker Barrel, Taco Bell.
When it comes to roads, some are pop roads, also known as Interstate highways, where you’re not likely to see anything you haven’t seen before. There are classical roads, like Route 66; and blues roads, which are dark and swampy with moss hanging from the trees. There are jazz roads, which meander, make abrupt turns and have unpredictable curves and riffs. There are alternate, or alternative highways, which often lead to something interesting; and of course there are country roads, which may or may not take you home … to the place … you belong.
On Friday, with the radio blasting, I traveled a swampy stretch of I-10 – a combination blues/pop road — from Baton Rouge to Lafayette, crossing a piece of the Atchafalaya Swamp, whose name itself is almost musical. During the drive I had four flashbacks, three of them music-induced.
Blame the first on the Red Hot Chili Peppers – the musical group that, like the vegetable, tends to come back and haunt me.
Posted by John Woestendiek June 12th, 2010 under Muttsblog.
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