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Tag: cinema

My dog Ace at “My Dog Tulip”

Ace and I will be appearing at the Aperture Cinema in Winston-Salem this week for a group discussion following the showing of the animated movie, “My Dog Tulip,” based on J.R. Ackerley’s memoir of his relationship with his dog.

I’ll also be talking about, selling and signing my new book, “DOG, INC.: The Uncanny Inside Story of Cloning Man’s Best Friend.”

If you’re wondering what the human-dog bond, or a memoir about that, have in common with cloning, the answer is:

Everything.

For, in addition to the profits foreseen by entrepreneurs, it was that bond – tighter-than-ever as the 21st Century arrived–  that sparked the attempt to clone dogs, prompted customers to sign up for it and led to the emergence of a fledgling, and highly questionable, pet cloning industry.

And what, after all, is a dog clone but a living, breathing, laboratory re-creation of the past — a memoir you can pet?

The first dog whose cloning was attempted by U.S. scientists, in fact, was a border collie mix who belonged to — you guessed it — a memoir writer. Missy, as it turned out, wasn’t the first dog cloned. South Korean scientists accomplished that first with an Afghan hound, whose clone would be named Snuppy. But Missy was eventually cloned — more than five times.

Cloning wasn’t available in J.R. Ackerley’s day (the British writer died in 1967), but given the love he expressed for his German shepherd, given his many unsuccesful attempts to breed her to another purebred “Alsatian,” given the void she filled in his life and the one her passing left in it, he might have considered it, if it had been.

“Tulip,” whose real name was Queenie — publishers opted to change it, fearing its gay connotations might be too titillating for stuffy old 1950′s England – spent 14 years with Ackerley, and according to some accounts he never quite got over her death. 

“She offered me what I had never found in my life with humans: constant, single-hearted, incorruptible, uncritical devotion, which it is in the nature of dogs to offer,” he says in the book, written while she was still alive.

The movie — though, like the book, it doesn’t shy away from dogs’ bodily functions — is charming and charmingly animated, drawn and directed by Paul and Sandra Fierlinger, and narrated by Christopher Plummer, in the role of Ackerley. It also features the voices of Isabella Rossellini and Lynn Redgrave.

It tells the story of a man who, having all but given up on finding an “ideal friend” in the human world, finds one in a canine — the first dog he’s had in his life.

I’ll be leaving my ideal friend home tonight, but Ace, if he feels up to it, is scheduled to join me at the theater Wednesday night.

The movie starts at 8 p.m., both nights, with the discussion following. The Aperture Cinema is at 311 W. 4th St. in downtown Winston-Salem.

Hachiko-inspired movie sidesteps big screen

The modern-day, Richard Gere-infused retelling of the story of a loyal Japanese dog named Hachiko won’t be showing in theaters in the U.S.

Instead the movie, “Hachi: A Dog’s Tale,” will make its American debut on Sunday on the Hallmark Channel, the New York Times reports.

The movie, which has already sold more than $45 million in tickets during its release in Asian, European and South American markets, is a contemporary retelling of the story of Hachiko, an Akita who, when his human companion, a college professor, died suddenly at work, continued for two years to return to the train station to wait for him.

Gere plays the professor and is also the movie’s producer. It was directed by Lasse Hallstrom, who also directed the Swedish coming-of-age film “My Life as a Dog.”

“Hachi” was shot primarily in Rhode Island, using three Akitas to play the different stages of the dog’s life.

“Hachi,” the Times reports, was not eagerly received by Sony Pictures Entertainment, the studio which controlled its distribution. Sony opted not to release it in American theaters.

“You think of all the people who really love their animals, love their dogs, love their cats, would embrace this specific movie,” Gere said. “But Sony just had no imagination for it. It was really bizarre.”

Hallstrom said the studio’s strategy was “a mistake of being overly worried about the size of the movie as opposed to the emotional impact of it.”

The Hallmark Channel, which broadcasts about 22 original movies a year, stepped in and bought it, and will premiere the film Sunday night.

“Hotel for Dogs:” Like a lick in the face

On Saturday, I got a chance to see “Hotel for Dogs” at a special screening to benefit the Maryland SPCA, and  I highly recommend it, whether you’re 8 or 80.

The SPCA, which runs its own sort of hotel for dogs on Falls Road, brought three up-for-adoption dogs to the fundraiser at the Regal Cinema in Hunt Valley, including the pup above (whose attempt to relieve me of my camera was unsuccessful).

The movie was cute, and funny, and elicited at least a dozen prolonged “awwwwwws” from the capacity crowd as the story unfolded — two orphans take in a New York neighborhood’s strays dogs, using an abandoned hotel to provide a contraption-filled haven for them.

It’s a movie that brings out the child in you, makes you wonder where you’ve been hiding it, and ponder whether you might ought to let it — and the idealism that went along with it – out once in a while.

“Hotel for Dogs” takes grown-up cynicism and gives it a big sloppy lick in the face.

Hotel for Dogs opens Jan. 16.


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