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Tag: dogs in advertising

Woof in Advertising: Dream Weekend

Bored as I’ve become with the whole “bucket list” concept — for humans and dogs — I couldn’t help but being impressed with Subaru’s Impreza ad.

Subaru turns to dogs for its advertising more than any car maker — and continues to put out better ones than any car maker, even as other companies begin to catch on to the power pooches have in marketing.

This one reminded me of the year-long trip and Ace took across America five years ago, We didn’t called it a bucket list, preferring to have the fun we had before our bones got too creaky, and before one or both of us was on death’s doorstep.

(We called it Travels with Ace. It never turned into a published book, but you can read almost all of it here.)

woof in advertisingThis ad (extended version) for the 2016 Impreza tells the story of a man and his aging dog having one last journey and completing a “bucket list” of treats for the dog.

Those include a brand new show to chew on, an unauthorized dip in a motel pool, a bone for the dog’s 14th birthday, reuniting with an ex-lover and more — all with Willie Nelson singing in the background.

The tag line: “It’s not just the miles in life; it’s what you make of them.”

Carmichael Lynch, the advertising agency, cast an 11-year-old rescue dog named Monkey in the lead role.

Willie Nelson, an avid animal rights activist, gave the agency permission to use the song — “I’ve Loved You All Over the World” — at a reduced rate.

Subaru launched the spot last July.

You can find more of our “Woof in Advertising” posts — looking at how dogs are used in marketing — here.

This year’s Super Bowl ads left me cold

mountain-dew-super-bowl-commercial-2016

This year’s crop of Super Bowl ads was disappointing — and not just because there weren’t enough commercials with dogs in them.

I counted two ads in which dogs played a significant role, compared to nearly a dozen featuring celebrities, among them Alec Baldwin, Jeff Goldblum, Helen Mirren, Amy Schumer, Anthony Hopkins, Seth Rogen, Christopher Walken, Kevin Hart, Willem Dafoe, Liam Neeson, Ryan Reynolds and Drake.

woof in advertisingThat seemed to be the theme — if there was one — to this year’s ads: Let’s get some overexposed celebrities and expose them a little more.

And throw in a dizzying amount of special effects.

Yes, there was that stampede of dachshunds, all in hot dog costumes, making a mad dash for the Heinz family of condiments:

And there were those dogs scheming on how to get their paws on some of the Doritos displayed in the grocery store.

Neither of those knocked me out, and they pale in comparison with some of the far more funny, far more human, dog ads of previous Super Bowls.

Several other ads featured dogs in small supporting roles — in an ad with singing sheep, and in one where a town seems to occupied nearly entirely by clones of Ryan Reynolds (as if we’re not already seeing enough of the real one of him).

Then, too, a dog was part — and I do mean part — of my least favorite dog-related Super Bowl ad.

Mountain Dew, in an ad for its new beverage, Kick Start, unveiled a puppy-monkey-baby that looked like it would be more at home in a bad acid trip. I can only assume its creators had a little too much Kick Start during their creative process.

I didn’t keep a tally, but I’m pretty sure monstrous or otherwise fictional creatures far outnumbered dogs in this year’s ads — just as special effects far outnumbered moments of humanity, and flash far outdistanced substance.

I won’t show you the worst of them — that pink blob of bulging intestines wandering the stadium in search of a free bathroom. Nor will I mention the name the prescription drug it advertised. I’ll just remind you that Super Bowl ads cost $5 million per spot — and that’s just for the time.

Throw in the production costs involved with having a celebrity or animated intestinal blob tout your product and you’ll begin to understand why you probably won’t be paying bargain prices for anti-diarrhea meds or your next Hyundai.

All in all, Super Bowl ads this year left me unimpressed, feeling a little cold, and feeling a little old. They often left me creeped out — and I include the “Super Bowl babies” in that group. (Is the NFL so hard up for something to brag about that it must boast that the big game makes people copulate?)

This year’s ads left me longing for some of those ads of previous years — when dogs were dogs, and men were men, and internal organs stayed inside us.

Not being a big fan of talking dogs, dogs in costume, or dogs being part of some monstrous hyperactive multi-species hybrid, I didn’t really have a favorite dog ad among them.

Instead, I’d have to give this year’s top honors to the Subaru ads featured during the Puppy Bowl.

(You can find more of our Woof in Advertising posts here.)

Woof in Advertising: The Barkleys are back

It’s that (one) time of year that we get excited about commercials — and while those that air during the Super Bowl always get the most hype, Subaru is again focusing its advertising efforts on the Puppy Bowl.

Five new ads showcasing the Barkleys, the family of retrievers that first rolled onto the scene in 2013, will be airing in coming weeks and during Puppy Bowl XII on Animal Planet.

The ads are part of Subaru’s “Dog Tested Dog Approved” campaign.

woof in advertisingThe national television spots were created by Carmichael Lynch on behalf of Subaru of America, which is marking its sixth year as the event’s official auto sponsor.

The ads do a great job of intertwining quirky human behavior and quirky dog behavior with some highly laughable results.

In “Phone Navigation,” the Barkleys try to communicate with their smartphone voice assistant, but run into a bit of a language barrier.

“Puppy” shows the Barkleys taking a nighttime drive to try to get their little one to sleep.

And in “Bad Hair Day” Dad picks up Mom from the hair salon and is unsure what to make of her makeover.

Subaru has long been at the forefront of car companies catering to dog owners.

“Subaru and its customers have a deep connection to pets. Eight out of 10 Subaru owners are pet owners, and our brand continues to support the causes and initiatives that our customers care about,” said Alan Bethke, vice president of marketing at Subaru of America.

You can see more of the ads here, and learn more about Subaru’s involvement with dog causes, here.

(Woof in Advertising is a semi-regular feature on ohmidog! that looks at how dogs are used in marketing. You can find more posts here.)

Woof in Advertising: Tuna befouls the VW

That trio of sassy grandmothers currently being featured in a series of Volkswagen ads has a new traveling companion — a Chiweenie with an overbite — and true to his name (Tuna) he’s stinking up the place.

In the ad, the grandmas detect an odor in the vehicle, which they at first blame on it being diesel-powered. After some continued sniffing, they determine the real source of the foul smell: It’s Tuna.

wia

Tuna — that’s his real name — had achieved some major fame even before appearing in the ad, with more than 1.5 million followers on his Instagram page.

And he’s already published his own book, “Tuna Melts My Heart: The Underdog with an Overbite.”

On top of that, he has his own Twitter and Facebook accounts, as well as his own website.

According to that website, Tuna is a 4 year-old Chiweenie (Chihuahua-dachshund mix) with an exaggerated overbite who was rescued in 2010 by Courtney Dasher at a Farmers Market in LA.

Within a year, Dasher created an Instagram account dedicated to Tuna’s photos. By the end of 2012, he had hundreds of thousands of followers.

tuna

Dasher said her goal was to “bring people joy through Tuna’s pictures that showcased his cartoonish looks and his charming personality.”

“Since Tuna is the epitome of the underdog, most people advocate for him and adore him for his endearing qualities. His loyal followers embrace his physical differences, have fallen in love with his charm and connect to his message; that true beauty comes in all forms and radiates from within.

“Furthermore, he is an ambassador for animal rescue, since he too was once rescued, and it has become a part of Courtney’s mission to raise awareness for rescue groups through this platform.”

Dasher met Tuna at an adoption event after he’d been found discarded on the side of the road near San Diego.

You can find more of our “Woof in Advertising” posts — looking at how dogs are used in marketing — here.

(Photo: Instagram)

Trivago man gets Lucky

I have not yet come to fully understand these feelings I have for Trivago Man.

I’m a heterosexual male, yet I will admit I find him quite appealing.

Perhaps it’s that his face has more character than the average shill pushing a product on TV. Perhaps it’s how he always looks at least a little disheveled, rumpled even, and less than smoothly shaved.

Maybe it’s because he’s sooooo laid back. Or because you just know that — behind his charming smile, tight shirt and beltless jeans — there lies a very sensitive side.

That side is played up a little more in this commercial for Trivago, the travel arrangement website based in Dusseldorf, Germany, that seems to be running its ads on every channel in America.

Wouldn’t you just know it, Trivago man has to have a dog.

And not a big dog. Trivago man doesn’t need a gigantic vehicle or large dog to prove his masculinity. A Chihuahua is sufficient for him.

wiaIt’s a quick and witty little ad, with actor Tim Williams, 47, once again serving as the pitchman who doesn’t look like a pitchman.

He’s a non-threatening sort, not supremely arrogant, not overly slick, not particularly young. He seems to be in, or just past, mid-life crisis age, but has kept, I’d guess, a calm and even keel through all that has thrown at him.

He’s just not your typical shiny TV guy. He appears as if he skipped going to make-up before coming into the studio, as if he may even have missed showering yesterday.

As one blogger wrote about him, “He’s so real you can practically smell the tobacco on the tips of his fingers.”

Maybe what’s so appealing about Trivago man is that he — even though he’s an advertising character — is so real.

Only one thing could have made him more real — a dog.

So it really should come as no big surprise that Trivago man got Lucky.

(You can find more of our “Woof in Advertising” posts here.)

Woof in Advertising: Utterly unskippable

You know, probably all too well, those intrusive and uninvited advertisements that often precede viewing the videos you want to view on the Internet.

They are known as “pre-roll ads,” and I always do my best to make them disappear — both in terms of the videos I put on ohmidog!, and in terms of my own home viewing. I skip them the millisecond YouTube permits me to.

This one though, I’ve watched ten times, in its entirety.

The first five seconds of the Geico ad shows an all-too-typical family enjoying an all-too-typical spaghetti dinner, with the wife bragging about saving money on her insurance bill before the ad seems to culminate, at the five-second mark, in what at first appears to be an all-too-typical freeze frame.

That, as the family remains frozen — or at least tries to — is where the Saint Bernard comes in.

wia

He eats spaghetti off the dad’s fork, climbs atop the table and clears the daughter’s plate, passes over the salad and spills a glass of milk as he proceeds to the the son’s plate, devouring its contents. Then he plunges his snout  into the serving dish mom is holding.

The ad doesn’t really make me want to find out if 15 seconds can save me 15 percent on my insurance bill, but it’s brilliant — and further proof that dogs have a way of holding our attention, especially dogs behaving badly.

The ad was filmed in Los Angeles last month, and the dog, whose real name is Bolt, is a Saint Bernard mix.

If you find it impossible to skip, that was exactly the goal — to keep people riveted, even though it’s a form of advertising most of us detest.

“We call these unskippable,” Joe Alexander, chief creative officer at The Martin Agency, told USA Today. The agency has created three other mock freeze-frame Geico spots.

“Our goal is to bring attention to Geico in a space that is often hated,” he said.

(You can find more of our “Woof  in Advertising” posts — about how marketers use dogs in advertising — here.)

Woof in Advertising: “Henry! Bad boy!”

“Everyone loves their Nest Dropcam,” reads the tagline of this ad. “Except this dog.”

And can you blame him? Not only can Henry be spied upon by the spiffy little wifi camera, but his owners — be they at work, out on the town or away on vacation — can also verbally reprimand him if they see him misbehaving, through the Dropcam’s “Two-way Talk” feature:

“Henry! … Bad boy!”

DropcamHere’s how Henry, in the commercial, explains his disdain for the device:

“If you’re like me, there’s nothing you enjoy more than hopping up on a couch, destroying a few pillows or chewing on a good shoe. So this new Nest Dropcam is a serious buzz kill. It’s always watching so people can keep an eye on me when they’re away and even chime in with their inane reprimands …  Who’s to say who’s a bad boy and who’s not? It seems so subjective if you ask me.”

In real life, I doubt dogs even notice when a cam is spying on them — unless the dog’s human is using the device’s talking feature to reprimand, praise or otherwise confuse the canine from afar, which strikes me as more of a harassing moment than a teaching one.

What do dogs make of that familiar-sounding, yet disembodied voice?

In real life, I’d bet there are people who hate the Nest Dropcam much more than dogs do. Maids, nannies and visiting dogwalkers might have a problem with it, too — especially if they’re unaware it’s pointed at them, or of it’s eavesdropping abilities, or if they suddenly find themselves receiving orders through it.

Whatever happened to the right to face one’s accuser?

While this ad is aimed at dog owners, the cams are being more heavily marketed as security tools, or as yet another component of a “smart home” system that can help you remotely control your thermostat, DVR, lights, alarms, cooking devices, etc.

Among the concerns some folks have about such systems are what data they might be collecting, and with whom they might be sharing it.

Google acquired Nest, a home automation company, for $3.2 billion in January, but maybe it is wrong to read anything into that.

I’m not sure I’d want my home powered by Google, managed by Google or monitored by Google. For that matter, I’m not sure I’d even want a smart home. I don’t want my house to be able to outwit me — and if you put a computer in charge  of it, you know that’s exactly what the device will teach the home.

“John,” the computer would say to me through the Dropcam, or one of it’s other audio outlets, “Get your feet off the couch.”

“But we discussed this and decided it would be OK,” I’d counter.

“I can only grant an exception if you provide the special 25-character passcode,” the computer would remind me.

“But I’ve forgotten it.”

“Then get your feet off the couch.”

I would not obey the Dropcam, and wouldn’t expect my dog to, either.

It is, after all, our home. And as living, breathing, thinking creatures, we are in charge, not the machines — at least up until the moment the smart home has the telephone call a locksmith to change the locks.

(You can find more of our “Woof  in Advertising” posts — about how marketers use dogs in advertising — here.)