With God on my side and Jesus in my cupholder, Ace and I passed through the Texas panhandle Wednesday, revisiting the site where, 18 years ago, almost to the day, I nearly got myself killed.
This time around, the roads weren’t icy, there was no snow; only vicious winds that tried to blow me off the road.
Just to be extra safe — well before my dreaded approach to the tiny town of Groom — I stopped to fill my thermos with coffee at the Jesus Christ is Lord Travel Center, on the east side of Amarillo.
It was opened less than two years ago by Sam Kohli, who also runs a Jesus Christ is Lord trucking line, whose 100-plus trucks are all emblazoned with that phrase.
“He just felt there were a lot of people who didn’t know Jesus Christ is Lord,” the woman at the cash register explained to me, charging me a mere $1.18 to fill my thermos and wishing me safe travels.
In 1993, returning to Philadelphia after a three-year assignment in California, my Isuzu Trooper slid off icy I-40, turning over twice before coming to rest, right side up, at the bottom of an embankment.
Anyway, back 18 years ago, I managed to restart the crumpled vehicle and drive half a mile to the nearest motel, where I checked in, along with my dog at the time, a mutt named Hobo.
As I stood in the lobby, trying to contact my insurance company on the pay phone, the desk clerk kept pointing me out to new arrivals, and each time he told the story he added one more roll: “That’s him over there, rolled over four times, he’s lucky to be alive.”
For the next three days, the dog and I licked our wounds and waited for the motel owners to come through with a ride they promised to the Amarillo airport, where I could rent a car for the rest of the trip. The Isuzu was totaled, and I’d been ticketed for reckless driving, though I was driving slower than anyone else on the road.
I kept waiting for our ride to the airport, and I started fearing there was a conspiracy to make me a permanent resident of the town of 500. Groom, coincidentally, is where much of the filming was done for the 1992 movie “Leap of Faith,” about a faith healer who bilks believers out of their money.
Finally, on day four — my room bill rising, my faith waning — I left the dog in the room, walked to a truck stop (it’s gone now, burned down, they say) and hitched a ride on a chicken truck to the Amarillo airport to get a rental car. Then I went back to the motel, picked Hobo up and drove on.
Back to the present: My original plan was to avoid Groom, on this trip and for eternity, but Wednesday, on a route that was sending me right past it, I decided to confront my fears.
The first Groom exit is the site of what bills itself as the largest cross in America.
It’s made of steel, 19 stories tall, with a cross arm that spans 110 feet. It took 250 welders eight months to complete, and weighs 1,250 tons. The man behind it is Steve Thomas, who was disgusted with billboards advertising “pornographic” services and decided to send travelers a different message.
It wasn’t there on my earlier trip — not being finished until two years later — so it took me by surprise. At first I thought that America’s largest cross (Effingham, Illinois, claims it has one eight feet taller) had been built at the precise spot of my accident.
I realized later, though, that the spot where I almost met my maker was a mile ahead, at the next exit.
Rather than get back on I-40, I took the back route, turning left on Route 66, driving through town, and approaching the scene of the accident from a side road.
I parked on the side of the road and left Ace in the car — not wanting him anywhere near the Interstate, or the accursed spot. I did grab my camera and pulled Bobblehead Jesus (B. Jesus, for short) from the cupholder so that he could accompany me.
I felt chills as I gazed at the spot, though maybe that was from the 60 mile per hour winds.
Feeling I had successfully confronted my fears — that I had found closure (not that I’m a big fan of closure; it’s so … final) — I went off in search of the motel that held me hostage.
Next door, I stopped in at a restaurant called The Grill, asking what happened to the motel. The owner told me that what used to be called the Golden Spread Motel stopped being a motel about 15 years ago, changed hands a few times and ended up as a storage facility.
I told her Golden Spread sounded like something you’d put on a sandwich — or maybe a pornographic term describing some act with which I’m not familiar.
I stepped back outside, into the wind, and thought about the gigantic, non-pornographic cross, which, without any guy wires, can withstand gusts of up to 140 miles per hour. In the car, I gave B. Jesus a pat, sending his head to bobbing. Then I gave Ace one.
I was still a little sour on Groom, but I felt a vague sense of gratitude, and gave God that conditional nod I’m prone to giving him or her: I’m not sure I believe in you, but if you’re the reason Hobo and I survived that accident, thanks so much for the ensuing 18 years (in Hobo’s case, about four).
By then I was back on I-40, traveling eastbound, buffeted by winds, bolstered by Jesus Christ is Lord coffee, strengthened by having confronted my demons, and inspired by a giant cross.
Ace looked around, as if confused: What were all those stops about? I’m not sure I know. I get overwhelmed when I start thinking about God and the hereafter. I have enough trouble handling the here and now.
But this much I know I do have: A deep and abiding faith in dog.
Posted by John Woestendiek December 31st, 2010 under Muttsblog.
Tags: accident, amarillo, america, animals, bobblehead jesus, car, church, crash, cross, dog, dog's country, dogs, dogscountry, faith, god, god's country, golden spread, groom, hobo, ice, jesus, jesus christ, jesus christ is lord, largest, leap of faith, lord, pets, religion, road trip, route 66, texas, texasm panhandle, travel center, traveling with dogs, travels with ace, truck stop, trucks
The play is based on Paul Auster’s 1999 novel “Timbuktu,” a dog-narrated tale of a hobo poet and his canine companion, Mr. Bones, whose wanderings come to an end in Baltimore. (Auster was profiled in Salon about seven years ago.)
The Croation production, directed by Borut Separovic, premiered in Zagreb earlier this month.
The director cast a dozen strays from a Zagreb animal shelter, with the main role of “Kosta” (Mr. Bones) played by Cap, an eight-year-old champion border collie.
The play consists mainly of a 45-minute monologue by Mr. Bones, with narration provided by an actor from his chair in the audience. Mr. Bones, according to an AFP article, receives quiet orders from instructor Alen Marekovic in the front row as he recounts the story of his life with his deceased master Willy.
“It’s a story that emphasises the incredible love between a dog and his master, a homeless person,” Separovic told AFP.
“Timbuktu offers a therapeutic insight into how not to interpret democracy solely through rights, but also through responsibly and solidarity towards others.”
At one point, the 12 stray dogs come on stage, a net falls between them and the audience and the play switches to the style of a documentary. The narrator tells the audience: “These dogs have a story which resembles that of Kosta’s. We call on you to provide them a home. You can contact me after the show.”
“For me it was extremely important that real, abandoned dogs appear in the play and be given a chance to be adopted,” said Separovic.
Separovic stressed the play also aimed at focussing attention on the fate of homeless people, 12 of whom play a role from the audience.
The team hopes that all the stray dogs involved will be adopted during the 11 performances in October.
Separovic said he set out to enlighten audiences through the project, which he says he created for his 10-year-old daughter Katarina and dedicated to his 13-year-old black labrador Max.
“I would like young people to understand that it’s important to take care of others, those who are in a worse situation then we are,” he said.
Posted by John Woestendiek October 21st, 2008 under Muttsblog.
Tags: animal shelter, baltimore, borut separovic, croatia, dog, hobo, homeless, homelessness, kosta, mr. bones, novel, paul auster, play, poet, production, stray dogs, timbuktu, zagreb