I believe there is an interior decorator within all of us.
I would like the one within me to leave now.
That’s because he’s an annoying little twit who’s spending too much of my time and money in his attempt to make everything “just so,” insisting on “color schemes” and “balance” and “flow,” and of course “bold accessories that really make things pop.”
I like to think that I’ve always had some taste, that I’m a notch above those uncivilized brutes who – having never watched HGTV, having kept the interior decorator within them buried — are content with soft reclining seating (built-in cupholder optional), a wall-mounted flat screen TV the size of your average billboard, and nothing in between to obstruct the view.
For one, Ace and I have just completed a year on the road, most of which was spent hopping from pet-friendly motel room to pet-friendly motel room every day or two. Remember the Motel 6 bedspread? We do. In those places we stayed longer – a friend’s sailboat, a trailer in the desert, an empty house and the basement of a mansion – we weren’t afforded much opportunity to make them “our own.” After all that flitting about, I think I developed a zest to nest.
For another, while staying in the basement of a mansion in North Carolina for the past month (with free cable TV provided), I became briefly addicted to Home & Garden Television (HGTV) – and all those shows that showed people moving to new homes, or renovating and redecorating their old ones. I despised many of those househunters and homeowners – because they were whiny and spoiled – but I also, for reasons I can’t pinpoint, or don’t want to, envied them.
On top of all that, the place we’ve moved into is special – to me at least. It’s the very apartment unit my parents lived in when I was born and, while dozens of people and families have moved in and out of it since then, I hoped to make it mine again, tip my hat to its heritage and make it presentable.
So join me now for the reveal, keeping in mind that — unlike those HGTV programs — we had virtually no budget to work with. Nevertheless, I’d appreciate it if you say “ohmigod!” a lot on our walk-through, because that’s what they do on all those home makeover shows.
We’ll start in the living room.
Among its featured pieces are my mother’s old couch, an old family desk, an old rocking chair, a wingback chair that once belonged to my father’s parents, my cousin’s coffee table and my mother’s old footstool featuring the needlepoint of great aunt Tan, seen here (in the lower right corner) before I stripped off the old cover and discovered the prize beneath.
I chose copper-colored faux silk drapes from Target for the living room — one of my first, and one of my few, purchases. I just thought they looked cool, and that I could build my color scheme around them.
That gave me copper, burgundy and gold (in the big chair) and blue (the couch). Fortunately, I found a cheap area rug at Wal Mart that bespoke them all, and which, in my non-expert opinion, really ties thing together. I describe my color palette — yes, palette — as being based on elements of the earth: copper, silver, gold, water, wine (I consider wine an element) and silver.
While the living room, through its furniture, bows to tradition, its more modern artworks, I think, make for an eclectic mix – eclectic mixes, such as my dog Ace, being the best kind.
At first I had some concerns that the piece — its inspiration, Lance says, being a silver, Airstream-like trailer — would disappear on my grey walls. To the contrary, I think it works well … subtly, as if to say, yes, I am here, but I am not going to shout about it, even though I am silver.
You can learn more about Lance and his art — his father played major league baseball, and younger Lance once bartended at Baltimore’s Idle Hour, a bar in which Ace spent his formative years — at his website.
But back to my place. On the living room’s opposite wall, I – believing there is an artist in all of us, too — have commissioned myself to paint my own piece of modern art, of copper and blue and maybe some red, further establishing our color scheme.
The goals I was trying to achieve in the living room were comfort, simplicity and a rustic elegance that says “come in, sit a spell, OK you can leave now.”
Moving on to the dining room, I found some discounted copper-ish drapes with swirly things on them to echo, somewhat, those in the living room. The dining table was a Craigslist find and the featured artwork is a portrait of Ace resting by a waterfall in Montana, painted by my friend Tamara Granger, Ace’s godmother.
Again, I was striving for simplicity, making sure not to use too much or too-large furniture, since that prohibits Ace from easily navigating the house.
Decorating around your dog (don’t laugh, a lot of people do it) is crucial, especially when he’s 130 pounds. That’s probably why he doesn’t — as much as he’d like to – go in the kitchen, which, in terms of floor space, measures about the same size as his crate.
In it, one can accomplish all kitchen duties without walking — a simple pivot step is all that is required, or permitted. The kitchen features another of Tamara’s artworks, a big black bird, hung over the stove, where it echoes the greys and silvers elsewhere.
Behind the kitchen and dining room is an added on room — not part of the house when I first lived in it — that will serve as a laundry area, once I figure out where to put all the junk now stored there and get a washer and dryer.
In my sole bathroom, I have put up a shower curtain of turquoise, and hung towels to match. So it is white and turquoise. I think it needs another color.
My bedroom is simply decorated with a box spring and mattress that sit on the floor, the better for Ace, until his back problems improve, to climb in. There are two end tables, and a dresser whose origins I don’t remember, and another TV. With cable television starting at $60-something a month, I have opted for the far cheaper, totally undependable and highly unsightly digital TV antenna.
As we enter the guest room/home office, we pass two old editorial cartoons in the hallway — a preview of a bigger collection ahead which pays homage, if you will, to those talented and artistic souls who were once able — and in some cases still are able – to make a career at newspapers out of hoisting the rich and powerful on their own petards.
Amazingly, they were able to do this even though hardly anybody knew what a petard is. While, in modern day slang, some use it as a derogatory term for members of PETA, a petard is actually an explosive device. The phrase ”hoist by one’s own petard” means to be undone by one’s own devices.
Editorial cartoonists are becoming an endangered species, but I was always a huge admirer of them — for they were people whose jobs seemed more like playtime, who were allowed to be goofy, and who had the power to makes us laugh, think and feel, sometimes all at once.
They could, and some still do, bring attenton to an injustice, afflict the overly comfortable, and point out that the emperor isn’t wearing anything — all with just a sketch and a punchline. It’s a shame many newspapers have opted not to have their own, anymore, because I think we have more naked emperors walking around on earth than ever before.
My collection — mostly from the 1950s and 1960s — includes the original works of Tom Darcy, Burges Green, Sandy Huffaker, Bill Sanders, Cliff Rogerson, Edmund Duffy, D.R. Fitzpatrick and C.P. Houston.
I lined their works up in two rows above my futon, AKA Ace’s bed, the arms of which still bear the scars of his gnawing on them as a pup.
They, too — those gnaw marks that angered me when I discovered them but now view as Ace’s childhood art – are part of the decor now, another little piece of history, or at least his history. I wouldn’t cover them up for anything.
Rounding out the home office furnishings are my old library table, two dinged up file cabinets, an office chair, an actual bed made for dogs, and four newly purchased, less than stalwart Wal Mart bookshelves, ordered over Internet.
What’s now the home office was 57 years ago my bedroom. From birth to the age of one, I shared it with my older sister.
The futon — long Ace’s favorite place to rest, and from which he watched me write my book — is one of five soft sleeping areas he now has to choose from. He also sleeps on my bed, the living room sofa, actually a loveseat, the actual dog bed, passed down from his Baltimore friend Fanny, and the Wal Mart rug that bespeaks the colors of my decor, and, come to think of it, of Ace as well.
This is where we’ll end our reveal, and we apologize if it was overly revealing.
(Next week: A look at the family that lived in the house that’s gone from being my crib to being my crib.)
Posted by John Woestendiek May 11th, 2011 under Muttsblog.
Tags: ace, america, animal, apartment, art, artist, baltimore, birthplace, cable, cartoonists, cartoons, color scheme, copper, crib, decorating, dogs, eclectic, editorial cartoons, end of the road, furnishings, furniture, hgtv, hoisted, home, house, idle hour, journalism, lance rauthzan, mixes, nest, nesting, newspapers, north carolina, petard, pets, reveal, revealing, road trip, settled, settling, silver, tamara granger, target, television, travel, travels with ace, walmart, winston-salem
A good year before I was born, my father wrote a letter while sitting in Korea, and sent it back home to friends in North Carolina.
A week ago, it came back to him — in Arizona.
“It’s so damn cold in here that I just about can make my fingers work,” the letter begins. “… Even so , it’s indoors, so I can imagine how really miserable the boys living in holes are tonight…”
Typewritten on flimsy stationary, the letter goes on to recount a weekend in Tokyo during which he enjoyed burgers and “Jap beer, which is very good.” He asks about what’s going on back home and wonders when he might return. “I’m supposed to come home in February. And now there is a rumor making the rounds that we’re supposed to be rotated to Japan after 10 months in Korea. So I don’t really know what’s going to happen.”
It was mailed to Lil and Roy Thompson, friends and co-workers at the Winston-Salem Journal, both now deceased.
Apparently Lil filed it away in a book, to be specific, an autobiography of William “Billy” Rose, the showman and lyricist who wrote, among other songs, “Me and My Shadow” and “It’s Only a Paper Moon.”
I don’t know whether Lil parted with the book long ago, or whether it was part of her estate when she died a few years ago, but somehow it ended up among the stock of a second-hand book dealer in Carrboro, N.C.
Robert Garni, once he opened the book, found the letter and read it, took to the Internet to locate my father, Bill Woestendiek, then mailed him the original, along with this note:
” … Quite coincidentally, the other day while sorting out some used books for sale, I came across an old letter that had apparently been tucked away in a hardcover copy of Billy Rose’s autobiography …
“Upon examination of the letter, I realized it may be of some sentimental value to someone and therefore I did a quick search of the Internet where I was able to locate your full name and current address. I am enclosing the letter herewith. I am hoping my information is correct and current so that this letter may finally return to its rightful owner.”
In my father’s letter, he mentions what turned out to be his most cherished memory of the war. He was a lieutenant in the Army, but he was also writing a weekly column for his newspaper back home called “Battle Lines.” The columns weren’t so much about the war as they were Korea and its people. Most of the stories he wrote focused on the children, often orphans of war, and the poverty in which they lived.
His stories led to an outpouring of support from back home in North Carolina — hundreds of pounds of clothing and toys were donated by readers, shipped overseas and distributed at a Christmas party.
“I am overwhelmed, no kidding,” he writes in the letter of the readers’ response. “We’ll have clothes for our party and still some extra to give to the orphanages around here which are also hurting for clothing.”
Reading over those articles, which I found amid my stuff, in a green scrapbook whose binding was falling apart, I understand a little better why he got so misty when, 19 years ago at Los Angeles International Airport, my father watched as my son arrived, a six-month-old, adopted from Korea.
In the faded old letter he thanks Lil for her support, and for keeping him up on the goings on at the newspaper. “You are one of the best morale builders I have,” he writes.
It took a little help from a thoughtful second-hand book dealer, but, judging from the joyful response my father, now 87, had to getting the letter back, it seems Lil — even though she’s no longer with us – did it again.
Posted by John Woestendiek May 7th, 2011 under Muttsblog.
Tags: army, bill woestendiek, book dealer, carrboro, children, friends, journalism, korea, korean war, letter, lil thompson, mail, newspapers, north carolina, orphans, poverty, returned, robert garni, roy thompson, second hand, soldiers, used, war, winston-salem journal
For this story, you need to go back to the year you entered the real world, the working world, the man-up (or woman-up), you’re-on-your-own-now world.
For me, it was at age 21 — like many I was able to forestall my entry into it with college — but, during my senior year, I started looking for a job in journalism. After more rejection than I care to remember, I finally got an offer — to be a reporter for the Arizona Daily Star in Tucson.
There was a three-month probationary period and, self confidence never having been my strong suit, I decided – here in what appeared to me, as an easterner, a lonely and alien land of dust and cacti — to live somewhere I wouldn’t have to sign a year-long lease.
That’s how I ended up at the Howdy Manor.
It was old even then, as were all the other little motels that lined Benson Highway — a once major thoroughfare that, when the Interstate came, saw its clientele turn from tourists to transients.
The Howdy Manor wasn’t nearly as hospitable as its name sounded, but it had a kitchenette, and it was close to the newspaper, and the price was right, given my $160 a week starting salary — $5 a night, if you signed up for a full week.
At first, it was a depressing little place, full of people I didn’t think I wanted to meet. And given my shift, I didn’t. I worked 4 p.m. to 1 a.m., spending most of that time at the Tucson Police Department, waiting for crimes to occur. (Now there’s no waiting). The captain was Linda Ronstadt’s brother, and the desk sergeant was a big man with a mustache man who always greeted me the same way when I came in: “How’s your hammer hangin’?”
I was always a little intimidated by the question, and try as I might to come up with an appropriate answer — “Oh, it’s hangin’,” or “quite well, thank you” — I never did.
In the wee hours of the morning, I’d get back to Howdy Manor, lock my door, turn on the TV — I’m pretty sure it was black and white — and heat up something on the stove to eat while I watched Perry Mason reruns, until falling asleep. Around noon, I would wake up, eat, shower and it would be time for work again.
My stay at the Howdy Manor — I can’t remember now if it was for only one month or all three, before I moved into a modern, boring apartment – came during one of only two two-year periods in my life that I didn’t have a dog. I probably could have used one. I was, except for work, leading the insular life I’m prone to slip into.
That, though maybe I didn’t realize it at the time, was why I got into journalism — to force myself into the world, to force myself to meet people, to force myself to learn new things. It was one of the best decisions I ever made, despite the fact that the industry’s hammer hasn’t been hanging to well for more than a decade now.
The point is, the time came, there at the Howdy Manor, that I got tired of being in my room, that I ventured out and met its other denizens — or at least those who weren’t bigger recluses than me. And I found them — just as I found the people I’d encounter on the job, which took me, in siren-chasing pursuit, to neighborhoods of every ilk – fascinating.
That is probably when, rather than ignoring and evading oddballs, I started seeking them. That’s when I began to realize that the common man isn’t really common at all, and I’d much rather rub elbows with him than schmoozers in suits.
So, as another leg of my six-month journey with my dog across America came to a close, I decided I needed to visit the Howdy Manor, or at least where it once stood, before my planned month-long layover in Phoenix.
To my surprise, when I looked it up on the Internet, it seemed to still exist — mostly in newspaper crime reports, some of which provided the address.
But when I hit Benson Highway earlier this week, I couldn’t find the Howdy Manor, or the address. Eventually, I realized the relevant portion of the highway, rather than having disappeared, is still there; it’s just a matter of making a couple of turns after it seemingly comes to a stop. I found the proper block and drove slowly down it — passing the Lariat, the Western, the Bucking Bronc and several other motels and trailer parks with cowboy names. But not, as far as I could see, the Howdy Manor.
The block looked a little more faded, a little more battered – but pretty much otherwise exactly as it did when I left it. It could still be 1975 there.
Today’s Howdy Manor appears even more down at the heels than it was when I — fearful and uncertain, young and naive — became a resident. It’s a little more worn and torn, and the plywood cowboy who I recall stood waving his hat in welcome is gone now, replaced by a sandwich board sign, supported by cinderblocks.
I pulled over, and was immediately approached by a young woman who asked me what was wrong. “Nothing,” I answered, I’m just looking. I used to live here. Thirty-five years ago. It was five dollars a night.”
It’s now $99 a week, she pointed out, and $20 a night. That’s what her brother pays. She pointed me in direction of manager, and I knocked on the door.
A girl with blue hair and multiple face piercings opened it, and called her mother. When she came to the door, I told her I used to live there, 35 years ago, and that it was only $5 a night. She was unmoved and unimpressed.
“No,” I answered, “but could you give me the name of the owner? I’d like to talk to him”
“Why would you want to do that?”
“To learn more about the history of the place,” I answered.
“Why would you want to do that?”
“So I can write about it.”
“Why would you want to do that?”
“Because I’m a writer.”
Our conversation seemed to be going in circles, so I thanked her, excused myself and got back in the car, leaving a trail of dust in my wake as I pulled out.
Back on Benson Highway, I thought back to the old days, and compared them to my current ones. Back then, I managed to make it through my probationary period, to learn the ropes, and to fall in love with the desert and Tucson. After three years there, I spent 30 more in a newspaper career that wasn’t entirely undistinguished.
When I left the business, I wrote a book, and continued to write my own website, making about enough in the latter pursuit to afford the modern-day Howdy Manor, if I paid by the week.
In some ways, I’m even more insecure than I was when I moved into my motel room with a kitchenette in Tucson 35 years ago. I have no real job, no health insurance, no boss, no salary — not even a salaryette.
But, two years after departing the newspaper industry, I continue — stupidly, maybe — doing the thing I love and know how to do: seek out stories and write them. I continue to occupy, like some kind of squatter, my former occupation.
Because I’m a writer, dammit.
And that, good sir, is how my hammer hangs.
Posted by John Woestendiek November 30th, 2010 under Muttsblog.
Tags: animals, arizona, benson highway, desert, dog's country, dogs, dogscountry, economic, economy, employed, first jobs, howdy manor, identity, income, insecurity, jobs, journalism, motels, newspapers, occupation, pets, real world, salary, security, tourism, travel, travels with ace, tucson, uncertainy, unemployed, writers, writing
John Steinbeck and I — in addition to traveling with our dogs, being about the same age when we set forth on our journeys, having the same first names, and a lot of the same letters in our last ones — share something else as well.
I have trysted with her three times — as a reporter in the early 1990′s, as a visiting professor in 2007, and as whatever it is I am now. She’s as beautiful and inviting as she was the first time we met — and, I’m sure, as she was 50 years ago, when she seduced John Steinbeck.
“I am in love with Montana,” Steinbeck wrote in Travels with Charley. It was his first trip to the state. “For other states I have admiration, respect, recognition, even some affection, but with Montana it is love, and it’s difficult to analyze love when you’re in it.”
He babbled on, as people in love do: “…the mountains are the kind I would create if mountains were ever put on my agenda … the calm of the mountains and the rolling grasslands had got into the inhabitants … the towns were places to live in rather than nervous hives. People had time to pause in their occupations to undertake the passing art of neighborliness.”
“Of all the states it is my favorite and my love.”
Steinbeck — apparently getting into being “out west” — stopped in Billings and bought a cowboy hat. In Butte, he bought a rifle. He dipped down into Yellowstone National Park, but after seeing Charley’s reaction to bears that approached his car — “He became a primitive killer lusting for the blood of his enemy” — he turned around and spent night in Livingston.
Ace and I stopped in Billings, in Bozeman, in Butte, and have arrived in Missoula — with no new hats and no sidearms. I am considering investing in a pair of gloves though. Winter is clearly on the way. People are stacking their wood, squirrels are hoarding their nuts, and the sky is taking on that steelier glow it does here in winter.
Once again, the return to a place I briefly called home has triggered memories. The closer I got to Missoula — winding through the hills alongside the Clark Fork River — the more of them resurfaced, leading me to wonder how I could have temporarily misplaced them, especially those that were only three years old.
I guess, they go into deep storage, like the earliest nuts the squirrels gather — pushed to the back to make room for new ones. But I don’t think I get a vote in the matter; it just happens. Returning to a place seems to make them accessible again; I can — with a little help from a familiar sight, sound, or smell — pull them out of the disorganized file cabinet that is my mind, open them up and say, “Oh, yeah, I remember that now.”
It could be something as simple as the lay of the land — they way grassy golden hills climb up into the big blue sky, a sharp curve in crystal clear river, the golden outline of Tamaracks among evergreen. Just seeing the general scale and expanse of it all triggers Montana memories — even memories that have nothing to do with the scale and expanse of it all.
Nearing Missoula — and (after North Dakota turned bleak) getting to experience fall all over again — I was surprised how the yellows were popping on the trees, and by how many things were popping into my head.
Some of them were from nearly 20 years ago — visiting the Unabomber’s former, still forlorn, shack in the woods; hanging out in radon mines, where people soak in radioactivity to heal what ails them; documenting the influx of celebrities to the state, which back then were becoming as common, and unloved, as deer.
Some of them — memories, I mean, not celebrities — were only three years old, and less dusty: long hikes in the mountains; the little house we rented, dubbed the “shack-teau,” while I was a visiting journalism professor at the University of Montana; the peaceful (mostly) campus; my earnest (mostly) students; and how we chased the muck train — as it began transferring mining waste that had collected in the river outside Missoula 100 miles back east to a little town called Opportunity — for our class project.
Memories that had faded like ghost signs kept returning — of fellow professors; of time spent at the student newspaper, The Kaimin; of a party, or two, or three, or four; and how I didn’t (really, really didn’t) want to leave when the semester was over. Because I flat out loved it.
And therein — on top of returning to a place, seeing and smelling it — is one of the keys to recalling times past, at least for me. Your brain alone can’t always take you back there; sometimes, it needs an assist from the heart.
Posted by John Woestendiek November 4th, 2010 under Muttsblog.
Tags: ace, america, animals, billings, bozeman, butte, charley, john steinbeck, journalism, love, love affair, memory, missoula, montana, nostalgia, pets, recollections, road trip, senses, steinbeck, students, travel, traveling with dogs, travels with ace, travels with charley, triggers, university of montana
How could you not be smitten with a man with the mug of a pug, the work ethic of a sled dog; the insatiable curiosity of a boxer; and the droopy demeanor of a basset hound?
If you were to mix Yogi Bear with Rocky Balboa, then southern fry them, you’d have David Perlmutt, in whose house Ace and I spent the last three days. He’s one of those guys who underwhelms you (to borrow a friend’s description) on first impression. (I, too, am a member of that club.) He’s very low key, quite soft spoken, and doesn’t feel the need to publicly exhibit vast amounts of enthusiasm, which is not to say he doesn’t have it. It’s in there, percolating. But being perky is not his thing. He’s not exactly Mr. Bubbly.
In that way, and a few others, we are peas in a pod. We both graduated, the same year, from the University of North Carolina’s journalism school – though we don’t think we knew each other back then. We both worked at the Charlotte Observer, though in my case just for a year. He’s been there nearly 30.
We’re both divorced (though in my case twice) and we both have only children headed off to college this month.
And we’re both plum dog crazy.
(And no, I’m not proposing. He has already turned me down.)
But he did invite Ace and me to be guests in his lovely home among towering trees in a quiet Charlotte neighborhood that’s filled with dogs. His two, Caki and Clancy, were at the home of his ex (with whom he shares custody of the canines) so I didn’t get a chance to meet them.
She performed it flawlessly three times in a row, because that’s how many tries it took for me to get a decent photo. (Perhaps I should train Ace to take pictures and let him handle the photography from now on.)
Winnie, who’s three-years-old, is assisted in the task by a rubber band, wrapped around the door knob (one of those regular round door knobs), which allows her front paws to get some traction, and twist the knob. Then she pushes the door open, walks inside, turns around, closes it with a flick of her front paws and beams proudly.
“She picked it up in no time,” said Ellen Archer, who, with the aid of treats, taught Winnie the trick.
My visit to Charlotte — on top of checking out The Dog Bar, spending some time with cousin Laura, reconnecting with Perlmutt and re-meeting his now-grown and multi-talented daughter, Ainslie (today’s guest columnist) — also gave me a chance to look up another old friend, Ray Owens.
He’s one of my ex-college roommates who, despite being in near constant prank mode — then and now — somehow managed to become a successful attorney. As it turns out, he has lost neither his hair, his sense of humor, nor his detailed memories of college days, including the time, driving home from a Deep Purple/Uriah Heap/Black Sabbath concert in Fayetteville, we hit a furious rainstorm. My yellow Firebird — though, I would argue still, a totally hot car — had broken windshield wipers, so we resolved the matter by tying shoestrings to each wiper and, from inside the car, pulling the wipers back and forth manually the whole way home.
Not a bad trick, either. I think we rewarded ourselves from the sack of treats we carried with us for the trip — Fritos and bean dip, as I recall.
You might imagine that we’ve grown up since then — that we’ve all become respectable and responsible adults as we pass through middle age and beyond; that we’ ve realized that life is serious business and, once your hair is gone or going grey, it’s time to close the door on Black Sabbath, childish pranks, dopey behavior, running in circles and needless frivolity.
But if we’ve learned anything from or dogs, it’s this: Naaaah.
Posted by John Woestendiek August 19th, 2010 under Muttsblog.
Tags: ace does america, adulthood, animals, books, charlotte, charlotte observer, children, close, david perlmutt, dog's country, dogs, dogscountry, door, frivolity, jokes, journalism, newspapers, north carolina, ohmidog!, open, pets, pranks, ray owens, reporters, reunion, roommates, the dog bar, travel, traveling with dogs, tricks, uniersity of north carolina
Carolyn Baker, 63, of Cleveland Heights, died of a heart attack in Feburary — not from being mauled by the family Rottweiler, the News-Messenger reported today.
Baker was found dead at her back steps, wearing only a thin polyester nightgown and boots, with bite marks on her arms and shoulder. That, apparently, was enough for the police, and subsequently the press, to indict Zeus, the family’s 9-year-old, 140-pound Rottweiler.
“Cleveland Heights Woman Dies Afer Being Attacked by Rottweiler,” one headline read. “POLICE: Woman Mauled to Death by Dog,” shouted another. “Woman Found Mauled to Death by Pet Rottweiler,” concluded a third.
As ohmidog! reported in February, police and, in turn, the news media, may have jumped the gun — perhaps a little too eager to place blame on a dog because of his breed, which is, of course, nothing new.
Zeus was seized by authorities and impounded, despite the family’s contention that the dog was actually trying to rescue the woman, and that any bite marks were a result of him trying to drag her back to the house.
It took almost six months, but now Cuyahoga County Coroner Frank Miller says there were few dog bites on Baker, that she died of a heart attack and hypothermia, and that her injuries indicated “the dog was trying to help her.”
Had the results come in sooner, Zeus might still be around.
The Cleveland Municipal Court ordered him destroyed in April.
Posted by John Woestendiek May 19th, 2010 under Muttsblog.
Tags: animals, breed, carolyn baker, cleveland heights, conclusions, coroner, cuyahoga county, destroyed, dogs, euthanized, executed, heart attack, innocent, journalism, jumping, mauling, news, news media, ohmidog!, pets, police, press, report, rottweiler, stereotypes, zeus
The days of dogs bringing in the newspaper might be numbered — for reasons that have nothing at all to do with dogs — but until then there are those, like Nariz, who are eager to deliver.
Nariz, whose name comes from the Spanish word for nose, belongs to Deb and Roger Pyle, who get their local newspaper delivered to their home in Astoria, Oregon. Every afternoon, Nariz sticks her nose into the Pyles’ newspaper box, pulls out The Daily Astorian and delivers it to her waiting owners in exchange for a cookie, reports — who else — The Daily Astorian.
“We didn’t train her. She just likes to do stuff for us,” Deb Pyle explained.
The Pyles’ adopted the dog from the Clatsop County Animal Shelter when she was 10 months old.
“There was one day when she was acting like she wanted a job so I walked her out to the paper and put it in her mouth and then we walked back to the house together,” Deb Pyle said. Next, Roger Pyle taught Nariz how to put her head in the newspaper box and remove the paper herself.
After that, Nariz expanded into mail delivery. “The mailman has learned that he can hand it over to her and she’ll bring it to us,” Deb Pyle said.
Posted by John Woestendiek March 31st, 2010 under Muttsblog, videos.
Tags: animals, box, communications, daily astorian, deb pyle, deliver, dog, dogs, fetch, internet, journalism, mailbox, media, nariz, news, newspaper, newspaper box, newspapers, ohmidog!, online, oregon, pets, retrieve, roger pyle