What’s a working dog to do? You learn your trade, hone your skills, toil away, only to find out that the world around you has evolved to a point where those skills are no longer much appreciated.
It’s why you can’t find a blacksmith too easily nowadays. It’s what happened to the elevator operator, the milkman, and, at least from my biased and disgruntled point of view, the newspaper reporter.
Such too was the case with Phelan, a marijuana-detecting Labrador retriever in the employ of the police department in Lakewood, Colorado.
With the passage by Colorado voters of Initiative 502 — legalizing the recreational use of small amounts of marijuana — the skill Phelan was best known for is no longer much in demand there.
In fact, his biggest asset has become a liability, the News Tribune reports.
Phelan was handed his pink slip this week and sold to the state Department of Corrections, where, in his new job, his inability to distinguish between marijuana and other drugs won’t be a problem — all drugs being illegal behind bars.
The same story is playing out in Washington state, where voters also legalized marijuana use, and where police departments are figuring out whether to cease training new dogs in marijuana detection, put their existing dogs through ”pot desensitization” training or just retire them and send them out to pasture, according to the Associated Press.
Take it from me, pasture sucks. Dogs and people, I think, prefer having a mission.
But Phelan’s mission, at least in the two states where moderate amounts of marijuana are now permitted, no longer much needs to be accomplished. Worse yet, alerting to small amounts of marijuana could mess up prosecutions in cases involving other, still illegal, drugs.
Say Phelan alerted to drugs in the trunk of a car. Phelan’s inability to distinguish between heroin and marijuana — or at least specify to his handler to which he is alerting — means any subsequent search by officers could have been based on Phelan detecting an entirely legal drug, in an entirely legal amount.
That means the “probable cause” the search was based on might not have really existed, and that means any evidence of illegal drugs subsequently found in the search would likely be tossed out.
Thus Phelan, unless he were to be retrained to drop marijuana-detecting from his repertoire — not easily accomplished — has ended up going from cutting edge law enforcement tool to an old school has been.
Drug detecting dogs — traditionally trained to alert to the smell of marijuana, heroin, crack cocaine, methamphetamine and cocaine – can’t specify what they’re smelling, much less the quantity it might be in.
In Washington, the new law decriminalized possession of up to an ounce of the drug for individuals over 21, and barred the growth and distribution of marijuana outside the state-approved system.
Dog trainer Fred Helfers, of the Pacific Northwest Detection Dog Association, said abandoning pot training is a “knee-jerk” reaction: “What about trafficking? What about people who have more than an ounce?” Still, he’s helping departments who want to put their dogs through ”extinction training” to change what substances dogs alert to. That takes about 30 days, followed by a prolonged period of reinforcement.
The Washington State Criminal Justice Training Commission removed detecting marijuana from its canine team certification standards this year, and no longer requires dogs be trained to detect it, but some others say, given large amounts of pot are still illegal, it can still be a useful skill for a dog to have.
In Pierce County, prosecutor Mark Lindquist believes new dogs are the answer — dogs trained in sniffing out the other drugs, but not marijuana. He’s not convinced dogs can be re-trained. “We’ll need new dogs to alert on substances that are illegal,” he told the Associated Press.
Other police departments, like Tacoma’s, aren’t making any changes.
“The dog doesn’t make the arrest, the officer does,” said spokesperson Loretta Cool. “A canine alert is just one piece of evidence an officer considers when determining whether a crime has been committed.”
Phelan was one of two drug-sniffing dogs on the police force in Lakewood, Colorado. He’ll be replaced by Kira, a Belgian Malinois who was trained not to alert when she smells marijuana. Duke, a Labrador retriever mix with the old-school training, will remain on the force for now.
Phelan, though, will be moving on, and I sympathize with the crime-fighting Lab.
His new gig in the slammer is clearly a step down the career ladder — not unlike going from being a newspaper reporter detecting corruption and injustice to an unpaid blogger who mostly (but not entirely) regurgitates material already written.
And, for Phelan, there’s the added insult of being sold for the lowly sum of one dollar.
Surely — old school as his talents may be – he was worth more than that.
Posted by jwoestendiek June 12th, 2013 under Muttsblog.
Tags: alert, cocaine, colorado, court, criminal justice, detect, detection, dog, dogs, drug-sniffing, drugs, heroin, job, K-9, k9, lakewood, law, law enforcement, marijuana, marijuana laws, mission, newspapers, police, police dogs, problems, prosecutors, purpose, reporters, searches, skills, sniffing, tacoma, useless, washington, working dogs
In the old days, when a newspaper columnist started writing about his dog, it meant — at least in the eyes of your more crusty and jaundiced types — he or she had run out of things to write about.
Of course, it (usually) wasn’t true then. And it’s even less true now.
Newspapers, as they did with the Internet, have belatedly realized that dog stories are important, that dog stories draw readers, and that dog stories are actually human stories, in disguise. They’ve finally begun to catch on to dog’s new place on the social ladder, and the wonders within them, and the serious issues surrounding them, and that they are far more than just cute.
None of which probably mattered to Steve Lopez when he decided last week to tell the story of his family’s new rescue … rescue-me-again … rescue-me-one-more time … dog.
Who is also pretty cute.
Lopez, a columnist for the Los Angeles Times, decided with his wife that their daughter, at age 9, was ready for a dog. Their search took them to Tailwaggers, a pet store in Hollywood, where adoption fairs are hosted by Dogs Without Borders. Though dogless for many years, Lopez knew rescuing a mutt — as opposed to purchasing a purebred — was the preferred route these days.
Canine ownership has gotten a lot more complicated than it was when he was a kid, noted Lopez, who definitely has a crusty side.
“First of all, unless you want a rescue dog, you face the withering judgment of do-gooders who have devoted their lives to saving pups from the boneyard,” he wrote. “…I live in Silver Lake, not far from a sprawling dog park. And if an abandoned infant were spotted on the curb of that busy corner, across the street from a dog with a thorn in its paw, I guarantee you dozens of people with porkpie hats and tattooed peace signs would rush to the aid of the dog instead of the child.”
At the adoption fair, his family became enchanted with a 3-year-old Corgi mixed named Hannah, who was described as “a very timid, shy and fearful little girl ” in need of “a home where she can blossom!”
(As Lopez, author of “The Soloist” and other books, may have noticed, those involved in the world of rescuing and rehoming dogs tend to use a lot of exclamation points!)
They then began the adoption process, which, he noted, required many forms: “As I recall, applying for a mortgage wasn’t quite as involved. And many of the agencies insist on a home inspection, as well as a donation fee of up to $450.”
They took Hannah home for a trial period, as a foster. There, unlike at the fair, she refused to walk on a leash.
To get her to go to the bathroom, Lopez says he carried the dog, who they renamed Ginger, to the bottom of the driveway. Given she didn’t move when he put her down, and to build some trust, he said, Lopez unhooked the leash.
Ginger took off.
Lopez ran to his car and began the search.
“My daughter had waited five years for this pup, and I’d lost her in five minutes.”
His wife called the adoption agency to report the escape and got a scolding for letting the dog off her leash. “I must admit, they had told us rescue dogs can be runners, and that we shouldn’t let them off the leash,” Lopez wrote. “On the other hand, if you’re going to call yourself Dogs Without Borders … what message are you sending?”
They searched all day, put up fliers, and posted Ginger on Craigslist as a missing dog. The next day, they found her on a neighbor’s patio and took her home.
The next day, a Monday, Lopez returned from work to learn Ginger had jerked away while being walked and disappeared again, this time dragging her leash. Reasoning that maybe Ginger didn’t want to be there, he and his wife agreed that — once they found her again — they might want to return her.
“Maybe she’d been abused, but it seemed unlikely she’d ever be the warm and cuddly family pet we wanted our daughter to have.”
On Tuesday morning, Lopez was awaked by a scratching sound on the front door. When he opened it, Ginger walked in, her leash still attached. That sight, it seems, cut right through the columnist’s crusty parts.
“We’re keeping this dog,” he said.
I’d be willing to bet they do, and that someday — when there’s nothing else to write about, or even when there is — we’ll be reading about her again.
(Photo of Ginger by Steve Lopez / Los Angeles Times)
Posted by jwoestendiek May 7th, 2013 under Muttsblog.
Tags: animals, author, best friend, column, columnist, corgi, dog, dogs, dogs without borders, family, ginger, hannah, home, leash, los angeles, los angeles times, media, mix, news, newspapers, pets, rescue, runaway, soloist, steve lopez, tailwaggers
I believe there is an interior decorator within all of us.
I would like the one within me to leave now.
That’s because he’s an annoying little twit who’s spending too much of my time and money in his attempt to make everything “just so,” insisting on “color schemes” and “balance” and “flow,” and of course “bold accessories that really make things pop.”
I like to think that I’ve always had some taste, that I’m a notch above those uncivilized brutes who – having never watched HGTV, having kept the interior decorator within them buried — are content with soft reclining seating (built-in cupholder optional), a wall-mounted flat screen TV the size of your average billboard, and nothing in between to obstruct the view.
For one, Ace and I have just completed a year on the road, most of which was spent hopping from pet-friendly motel room to pet-friendly motel room every day or two. Remember the Motel 6 bedspread? We do. In those places we stayed longer – a friend’s sailboat, a trailer in the desert, an empty house and the basement of a mansion – we weren’t afforded much opportunity to make them “our own.” After all that flitting about, I think I developed a zest to nest.
For another, while staying in the basement of a mansion in North Carolina for the past month (with free cable TV provided), I became briefly addicted to Home & Garden Television (HGTV) – and all those shows that showed people moving to new homes, or renovating and redecorating their old ones. I despised many of those househunters and homeowners – because they were whiny and spoiled – but I also, for reasons I can’t pinpoint, or don’t want to, envied them.
On top of all that, the place we’ve moved into is special – to me at least. It’s the very apartment unit my parents lived in when I was born and, while dozens of people and families have moved in and out of it since then, I hoped to make it mine again, tip my hat to its heritage and make it presentable.
So join me now for the reveal, keeping in mind that — unlike those HGTV programs — we had virtually no budget to work with. Nevertheless, I’d appreciate it if you say “ohmigod!” a lot on our walk-through, because that’s what they do on all those home makeover shows.
We’ll start in the living room.
Among its featured pieces are my mother’s old couch, an old family desk, an old rocking chair, a wingback chair that once belonged to my father’s parents, my cousin’s coffee table and my mother’s old footstool featuring the needlepoint of great aunt Tan, seen here (in the lower right corner) before I stripped off the old cover and discovered the prize beneath.
I chose copper-colored faux silk drapes from Target for the living room — one of my first, and one of my few, purchases. I just thought they looked cool, and that I could build my color scheme around them.
That gave me copper, burgundy and gold (in the big chair) and blue (the couch). Fortunately, I found a cheap area rug at Wal Mart that bespoke them all, and which, in my non-expert opinion, really ties thing together. I describe my color palette — yes, palette — as being based on elements of the earth: copper, silver, gold, water, wine (I consider wine an element) and silver.
While the living room, through its furniture, bows to tradition, its more modern artworks, I think, make for an eclectic mix – eclectic mixes, such as my dog Ace, being the best kind.
At first I had some concerns that the piece — its inspiration, Lance says, being a silver, Airstream-like trailer — would disappear on my grey walls. To the contrary, I think it works well … subtly, as if to say, yes, I am here, but I am not going to shout about it, even though I am silver.
You can learn more about Lance and his art — his father played major league baseball, and younger Lance once bartended at Baltimore’s Idle Hour, a bar in which Ace spent his formative years — at his website.
But back to my place. On the living room’s opposite wall, I – believing there is an artist in all of us, too — have commissioned myself to paint my own piece of modern art, of copper and blue and maybe some red, further establishing our color scheme.
The goals I was trying to achieve in the living room were comfort, simplicity and a rustic elegance that says “come in, sit a spell, OK you can leave now.”
Moving on to the dining room, I found some discounted copper-ish drapes with swirly things on them to echo, somewhat, those in the living room. The dining table was a Craigslist find and the featured artwork is a portrait of Ace resting by a waterfall in Montana, painted by my friend Tamara Granger, Ace’s godmother.
Again, I was striving for simplicity, making sure not to use too much or too-large furniture, since that prohibits Ace from easily navigating the house.
Decorating around your dog (don’t laugh, a lot of people do it) is crucial, especially when he’s 130 pounds. That’s probably why he doesn’t — as much as he’d like to – go in the kitchen, which, in terms of floor space, measures about the same size as his crate.
In it, one can accomplish all kitchen duties without walking — a simple pivot step is all that is required, or permitted. The kitchen features another of Tamara’s artworks, a big black bird, hung over the stove, where it echoes the greys and silvers elsewhere.
Behind the kitchen and dining room is an added on room — not part of the house when I first lived in it — that will serve as a laundry area, once I figure out where to put all the junk now stored there and get a washer and dryer.
In my sole bathroom, I have put up a shower curtain of turquoise, and hung towels to match. So it is white and turquoise. I think it needs another color.
My bedroom is simply decorated with a box spring and mattress that sit on the floor, the better for Ace, until his back problems improve, to climb in. There are two end tables, and a dresser whose origins I don’t remember, and another TV. With cable television starting at $60-something a month, I have opted for the far cheaper, totally undependable and highly unsightly digital TV antenna.
As we enter the guest room/home office, we pass two old editorial cartoons in the hallway — a preview of a bigger collection ahead which pays homage, if you will, to those talented and artistic souls who were once able — and in some cases still are able – to make a career at newspapers out of hoisting the rich and powerful on their own petards.
Amazingly, they were able to do this even though hardly anybody knew what a petard is. While, in modern day slang, some use it as a derogatory term for members of PETA, a petard is actually an explosive device. The phrase ”hoist by one’s own petard” means to be undone by one’s own devices.
Editorial cartoonists are becoming an endangered species, but I was always a huge admirer of them — for they were people whose jobs seemed more like playtime, who were allowed to be goofy, and who had the power to makes us laugh, think and feel, sometimes all at once.
They could, and some still do, bring attenton to an injustice, afflict the overly comfortable, and point out that the emperor isn’t wearing anything — all with just a sketch and a punchline. It’s a shame many newspapers have opted not to have their own, anymore, because I think we have more naked emperors walking around on earth than ever before.
My collection — mostly from the 1950s and 1960s — includes the original works of Tom Darcy, Burges Green, Sandy Huffaker, Bill Sanders, Cliff Rogerson, Edmund Duffy, D.R. Fitzpatrick and C.P. Houston.
I lined their works up in two rows above my futon, AKA Ace’s bed, the arms of which still bear the scars of his gnawing on them as a pup.
They, too — those gnaw marks that angered me when I discovered them but now view as Ace’s childhood art – are part of the decor now, another little piece of history, or at least his history. I wouldn’t cover them up for anything.
Rounding out the home office furnishings are my old library table, two dinged up file cabinets, an office chair, an actual bed made for dogs, and four newly purchased, less than stalwart Wal Mart bookshelves, ordered over Internet.
What’s now the home office was 57 years ago my bedroom. From birth to the age of one, I shared it with my older sister.
The futon — long Ace’s favorite place to rest, and from which he watched me write my book — is one of five soft sleeping areas he now has to choose from. He also sleeps on my bed, the living room sofa, actually a loveseat, the actual dog bed, passed down from his Baltimore friend Fanny, and the Wal Mart rug that bespeaks the colors of my decor, and, come to think of it, of Ace as well.
This is where we’ll end our reveal, and we apologize if it was overly revealing.
(Next week: A look at the family that lived in the house that’s gone from being my crib to being my crib.)
Posted by jwoestendiek May 11th, 2011 under Muttsblog.
Tags: ace, america, animal, apartment, art, artist, baltimore, birthplace, cable, cartoonists, cartoons, color scheme, copper, crib, decorating, dogs, eclectic, editorial cartoons, end of the road, furnishings, furniture, hgtv, hoisted, home, house, idle hour, journalism, lance rauthzan, mixes, nest, nesting, newspapers, north carolina, petard, pets, reveal, revealing, road trip, settled, settling, silver, tamara granger, target, television, travel, travels with ace, walmart, winston-salem
A good year before I was born, my father wrote a letter while sitting in Korea, and sent it back home to friends in North Carolina.
A week ago, it came back to him — in Arizona.
“It’s so damn cold in here that I just about can make my fingers work,” the letter begins. “… Even so , it’s indoors, so I can imagine how really miserable the boys living in holes are tonight…”
Typewritten on flimsy stationary, the letter goes on to recount a weekend in Tokyo during which he enjoyed burgers and “Jap beer, which is very good.” He asks about what’s going on back home and wonders when he might return. “I’m supposed to come home in February. And now there is a rumor making the rounds that we’re supposed to be rotated to Japan after 10 months in Korea. So I don’t really know what’s going to happen.”
It was mailed to Lil and Roy Thompson, friends and co-workers at the Winston-Salem Journal, both now deceased.
Apparently Lil filed it away in a book, to be specific, an autobiography of William “Billy” Rose, the showman and lyricist who wrote, among other songs, “Me and My Shadow” and “It’s Only a Paper Moon.”
I don’t know whether Lil parted with the book long ago, or whether it was part of her estate when she died a few years ago, but somehow it ended up among the stock of a second-hand book dealer in Carrboro, N.C.
Robert Garni, once he opened the book, found the letter and read it, took to the Internet to locate my father, Bill Woestendiek, then mailed him the original, along with this note:
” … Quite coincidentally, the other day while sorting out some used books for sale, I came across an old letter that had apparently been tucked away in a hardcover copy of Billy Rose’s autobiography …
“Upon examination of the letter, I realized it may be of some sentimental value to someone and therefore I did a quick search of the Internet where I was able to locate your full name and current address. I am enclosing the letter herewith. I am hoping my information is correct and current so that this letter may finally return to its rightful owner.”
In my father’s letter, he mentions what turned out to be his most cherished memory of the war. He was a lieutenant in the Army, but he was also writing a weekly column for his newspaper back home called “Battle Lines.” The columns weren’t so much about the war as they were Korea and its people. Most of the stories he wrote focused on the children, often orphans of war, and the poverty in which they lived.
His stories led to an outpouring of support from back home in North Carolina — hundreds of pounds of clothing and toys were donated by readers, shipped overseas and distributed at a Christmas party.
“I am overwhelmed, no kidding,” he writes in the letter of the readers’ response. “We’ll have clothes for our party and still some extra to give to the orphanages around here which are also hurting for clothing.”
Reading over those articles, which I found amid my stuff, in a green scrapbook whose binding was falling apart, I understand a little better why he got so misty when, 19 years ago at Los Angeles International Airport, my father watched as my son arrived, a six-month-old, adopted from Korea.
In the faded old letter he thanks Lil for her support, and for keeping him up on the goings on at the newspaper. “You are one of the best morale builders I have,” he writes.
It took a little help from a thoughtful second-hand book dealer, but, judging from the joyful response my father, now 87, had to getting the letter back, it seems Lil — even though she’s no longer with us – did it again.
Posted by jwoestendiek May 7th, 2011 under Muttsblog.
Tags: army, bill woestendiek, book dealer, carrboro, children, friends, journalism, korea, korean war, letter, lil thompson, mail, newspapers, north carolina, orphans, poverty, returned, robert garni, roy thompson, second hand, soldiers, used, war, winston-salem journal
For this story, you need to go back to the year you entered the real world, the working world, the man-up (or woman-up), you’re-on-your-own-now world.
For me, it was at age 21 — like many I was able to forestall my entry into it with college — but, during my senior year, I started looking for a job in journalism. After more rejection than I care to remember, I finally got an offer — to be a reporter for the Arizona Daily Star in Tucson.
There was a three-month probationary period and, self confidence never having been my strong suit, I decided – here in what appeared to me, as an easterner, a lonely and alien land of dust and cacti — to live somewhere I wouldn’t have to sign a year-long lease.
That’s how I ended up at the Howdy Manor.
It was old even then, as were all the other little motels that lined Benson Highway — a once major thoroughfare that, when the Interstate came, saw its clientele turn from tourists to transients.
The Howdy Manor wasn’t nearly as hospitable as its name sounded, but it had a kitchenette, and it was close to the newspaper, and the price was right, given my $160 a week starting salary — $5 a night, if you signed up for a full week.
At first, it was a depressing little place, full of people I didn’t think I wanted to meet. And given my shift, I didn’t. I worked 4 p.m. to 1 a.m., spending most of that time at the Tucson Police Department, waiting for crimes to occur. (Now there’s no waiting). The captain was Linda Ronstadt’s brother, and the desk sergeant was a big man with a mustache man who always greeted me the same way when I came in: “How’s your hammer hangin’?”
I was always a little intimidated by the question, and try as I might to come up with an appropriate answer — “Oh, it’s hangin’,” or “quite well, thank you” — I never did.
In the wee hours of the morning, I’d get back to Howdy Manor, lock my door, turn on the TV — I’m pretty sure it was black and white — and heat up something on the stove to eat while I watched Perry Mason reruns, until falling asleep. Around noon, I would wake up, eat, shower and it would be time for work again.
My stay at the Howdy Manor — I can’t remember now if it was for only one month or all three, before I moved into a modern, boring apartment – came during one of only two two-year periods in my life that I didn’t have a dog. I probably could have used one. I was, except for work, leading the insular life I’m prone to slip into.
That, though maybe I didn’t realize it at the time, was why I got into journalism — to force myself into the world, to force myself to meet people, to force myself to learn new things. It was one of the best decisions I ever made, despite the fact that the industry’s hammer hasn’t been hanging to well for more than a decade now.
The point is, the time came, there at the Howdy Manor, that I got tired of being in my room, that I ventured out and met its other denizens — or at least those who weren’t bigger recluses than me. And I found them — just as I found the people I’d encounter on the job, which took me, in siren-chasing pursuit, to neighborhoods of every ilk – fascinating.
That is probably when, rather than ignoring and evading oddballs, I started seeking them. That’s when I began to realize that the common man isn’t really common at all, and I’d much rather rub elbows with him than schmoozers in suits.
So, as another leg of my six-month journey with my dog across America came to a close, I decided I needed to visit the Howdy Manor, or at least where it once stood, before my planned month-long layover in Phoenix.
To my surprise, when I looked it up on the Internet, it seemed to still exist — mostly in newspaper crime reports, some of which provided the address.
But when I hit Benson Highway earlier this week, I couldn’t find the Howdy Manor, or the address. Eventually, I realized the relevant portion of the highway, rather than having disappeared, is still there; it’s just a matter of making a couple of turns after it seemingly comes to a stop. I found the proper block and drove slowly down it — passing the Lariat, the Western, the Bucking Bronc and several other motels and trailer parks with cowboy names. But not, as far as I could see, the Howdy Manor.
The block looked a little more faded, a little more battered – but pretty much otherwise exactly as it did when I left it. It could still be 1975 there.
Today’s Howdy Manor appears even more down at the heels than it was when I — fearful and uncertain, young and naive — became a resident. It’s a little more worn and torn, and the plywood cowboy who I recall stood waving his hat in welcome is gone now, replaced by a sandwich board sign, supported by cinderblocks.
I pulled over, and was immediately approached by a young woman who asked me what was wrong. “Nothing,” I answered, I’m just looking. I used to live here. Thirty-five years ago. It was five dollars a night.”
It’s now $99 a week, she pointed out, and $20 a night. That’s what her brother pays. She pointed me in direction of manager, and I knocked on the door.
A girl with blue hair and multiple face piercings opened it, and called her mother. When she came to the door, I told her I used to live there, 35 years ago, and that it was only $5 a night. She was unmoved and unimpressed.
“No,” I answered, “but could you give me the name of the owner? I’d like to talk to him”
“Why would you want to do that?”
“To learn more about the history of the place,” I answered.
“Why would you want to do that?”
“So I can write about it.”
“Why would you want to do that?”
“Because I’m a writer.”
Our conversation seemed to be going in circles, so I thanked her, excused myself and got back in the car, leaving a trail of dust in my wake as I pulled out.
Back on Benson Highway, I thought back to the old days, and compared them to my current ones. Back then, I managed to make it through my probationary period, to learn the ropes, and to fall in love with the desert and Tucson. After three years there, I spent 30 more in a newspaper career that wasn’t entirely undistinguished.
When I left the business, I wrote a book, and continued to write my own website, making about enough in the latter pursuit to afford the modern-day Howdy Manor, if I paid by the week.
In some ways, I’m even more insecure than I was when I moved into my motel room with a kitchenette in Tucson 35 years ago. I have no real job, no health insurance, no boss, no salary — not even a salaryette.
But, two years after departing the newspaper industry, I continue — stupidly, maybe — doing the thing I love and know how to do: seek out stories and write them. I continue to occupy, like some kind of squatter, my former occupation.
Because I’m a writer, dammit.
And that, good sir, is how my hammer hangs.
Posted by jwoestendiek November 30th, 2010 under Muttsblog.
Tags: animals, arizona, benson highway, desert, dog's country, dogs, dogscountry, economic, economy, employed, first jobs, howdy manor, identity, income, insecurity, jobs, journalism, motels, newspapers, occupation, pets, real world, salary, security, tourism, travel, travels with ace, tucson, uncertainy, unemployed, writers, writing