Why is everybody doggin’ Bob Dylan?
So what if he didn’t visibly display excitement, didn’t jump up and down and wag his tail, upon learning he had won the Nobel Prize for Literature.
So what if he’s not exactly yapping and scratching at the door to attend the upcoming Stockholm awards ceremony to receive the prize from King Carl VI Gustaf.
It really seems to bother people — respected journalists, less respected journalists, and lowly drama-seeking bloggers — that Dylan has not reacted like a “Price is Right” contestant who just won the showcase round.
To those people — those who demand effervescence from a man who, until he puts pen to paper, chooses to holds most things inside — we say, first off, don’t expect everybody’s personality to be the same as your’s.
Let Bob Dylan be Bob Dylan. And respect, as well, the privacy he seems to treasure.
After the prizes were announced by the Swedish Academy, Dylan had no public reaction for weeks, which, for some reason, became news. He reportedly “refused to pick up the phone” to speak to representatives of the Nobel committee.
How does anyone know he was refusing to pick up the phone? Why is it assumed he was being petulant?
Perhaps he was not home, or was otherwise occupied, or was under the impression he can live his life at the pace he chooses, talking to who he chooses when he chooses.
How dare he? How dare he not give the news media what it was looking for?
Well, he never really has. He has always been more of a wandering, independent stray than a mindless lap dog.
For all those who were fretting over his lack of a reaction, The Telegraph reported Friday that yes, he hopes to attend the ceremony, and yes, winning the prize was “amazing, incredible … Whoever dreams about something like that?”
So much for the theory that he was going to pull a Jean-Paul Sartre, the novelist who famously declined the award in 1964.
He has said he will be there “if he can,” but many find that unacceptable as well and have deemed his behavior “impolite and arrogant.”
Maybe. Or maybe not all of us are wired for public displays of enthusiasm.
I have been accused of lacking enthusiasm, because I’m generally quiet. For my part, it was a matter of realizing if I am constantly flapping my jaws, my brain can’t process the things it needs to — be it writing a story, solving some mystery of life, or locating the items on the grocery list.
I’m just one of those people who mostly celebrates without fireworks, and on the inside. I would never be chosen to compete in The Price is Right. I’m more likely to bare my soul, if I bare it at all, to a dog.
Interviewers, the smart ones, have found dogs to be the one topic that can get Bob Dylan going.
In any event, I’d guess the dogs in his life — and he has had many — have served to help him be a loner without being lonely. I’d guess he tells them more than he tells most friends, and definitely more than he tells the news media.
One of his first poems, written when he was 16 and in summer camp, was about a dog (Little Buddy) who died a tragic death.
He once credited “a dog lying on the floor” (his name was Hamlet) with helping create the relaxed ambience in which he and The Band put together “The Basement Tapes,” while living outside Woodstock in the summer of 1967.
In addition to the song featured atop this post, “If Dogs Run Free” (which he turned into a children’s book in 2013), Dylan refers to dogs in at least 30 of his songs, according to an article in Bark a while back.
“They seem to inhabit his world, his thoughts, and, ultimately, they come to life in his music,” the article notes. “…Dylan uses dogs as a messenger for mood, as set for the stage. You can picture them wandering down dirt roads, or collapsed on creaky porches. They’re dustbowl dogs and prowling alley dogs, dogs with no collars, dogs with no homes.
“It’s a hungry, lonesome quality about them that he touches upon, a sense of being, all at once, tired and restless. They speak to the human condition that surrounds them, suggesting what really doesn’t need to be said.”
Bob Dylan has always been very good at saying what needs to be said, and even better at not saying what doesn’t need to be said.
So whether he shows up to claim his Nobel Prize, whether his speech consists of “thank you” or he jumps up and down and says “ohmigod! ohmigod!” — those are questions we will just have to keep asking in the months ahead. Or not.
The answer, my friend, is … well, you know.
Posted by John Woestendiek November 1st, 2016 under Muttsblog, videos.
Tags: 2016, animals, appearance, award, bob dylan, bob dylan's dogs, complaints, dog, dogs, dylan, dylan and dogs, enthusiasm, excited, honor, literature, media, news, nobel, nobel prize, nobel prize for literature, personality, pets, poet, poetry, privacy, private, prize, reaction
Long Road, Short Legs
When the road
And your legs
You might end up
The plus side is
You’re wiser now
(Sometimes, the poet within wins. To read all his verse, click on the logo to the left.)
For days the good old bitch had been dying, her back
pinched down to the spine and arched to ease the pain,
her kidneys dry, her muzzle white. At last
I took a shovel into the woods and dug her grave
in preparation for the certain. She came along,
which I had not expected. Still, the children gone,
such expeditions were rare, and the dog,
spayed early, knew no nonhuman word for love.
She made her stiff legs trot and let her bent tail wag.
We found a spot we liked, where the pines met the
The sun warmed her fur as she dozed and I dug;
I carved her a safe place while she protected me.
I measured her length with the shovel’s long handle;
she perked in amusement, and sniffed the heaped-up
Back down at the house, she seemed friskier,
but gagged, eating. We called the vet a few days later.
They were old friends. She held up a paw, and he
injected a violet fluid. She swooned on the lawn;
we watched her breathing quickly slow and cease.
In a wheelbarrow up to the hole, her warm fur shone.
The poem above, Another Dog’s Death, (from Collected Poems, 1953-1993) is one of two John Updike wrote about the death of his dogs.
Updike, a prolific, Pulitzer-prize winning author and poet, died yesterday at 76 of lung cancer.
The play is based on Paul Auster’s 1999 novel “Timbuktu,” a dog-narrated tale of a hobo poet and his canine companion, Mr. Bones, whose wanderings come to an end in Baltimore. (Auster was profiled in Salon about seven years ago.)
The Croation production, directed by Borut Separovic, premiered in Zagreb earlier this month.
The director cast a dozen strays from a Zagreb animal shelter, with the main role of “Kosta” (Mr. Bones) played by Cap, an eight-year-old champion border collie.
The play consists mainly of a 45-minute monologue by Mr. Bones, with narration provided by an actor from his chair in the audience. Mr. Bones, according to an AFP article, receives quiet orders from instructor Alen Marekovic in the front row as he recounts the story of his life with his deceased master Willy.
“It’s a story that emphasises the incredible love between a dog and his master, a homeless person,” Separovic told AFP.
“Timbuktu offers a therapeutic insight into how not to interpret democracy solely through rights, but also through responsibly and solidarity towards others.”
At one point, the 12 stray dogs come on stage, a net falls between them and the audience and the play switches to the style of a documentary. The narrator tells the audience: “These dogs have a story which resembles that of Kosta’s. We call on you to provide them a home. You can contact me after the show.”
“For me it was extremely important that real, abandoned dogs appear in the play and be given a chance to be adopted,” said Separovic.
Separovic stressed the play also aimed at focussing attention on the fate of homeless people, 12 of whom play a role from the audience.
The team hopes that all the stray dogs involved will be adopted during the 11 performances in October.
Separovic said he set out to enlighten audiences through the project, which he says he created for his 10-year-old daughter Katarina and dedicated to his 13-year-old black labrador Max.
“I would like young people to understand that it’s important to take care of others, those who are in a worse situation then we are,” he said.
Posted by John Woestendiek October 21st, 2008 under Muttsblog.
Tags: animal shelter, baltimore, borut separovic, croatia, dog, hobo, homeless, homelessness, kosta, mr. bones, novel, paul auster, play, poet, production, stray dogs, timbuktu, zagreb