When singer-songwriter MadLyn filmed her latest music video she chose Salvation Mountain as the setting — a location that’s near the top of my list when it comes to American places of quirky and unnatural beauty.
And she brought her dog, Lucy, along to serve as the video’s co-star.
Salvation Mountain, built of trash, straw, adobe and and thousands of gallons of vibrantly colored paint, was one man’s tribute to his faith in God, and even though I’m not religious, I was fortunate enough to drop by and meet him twice (the mountain’s creator, not The Creator) when he was alive.
Once, for a magazine story, and once during my Travels with Ace, I spent some time with Leonard Knight — an admittedly reclusive and obsessive sort who let nothing stop him in his quest to fashion a mountain where there was none. Knight died in 2014 at age 82.
Salvation Mountain pops up like a colorful hallucination in the otherwise bleak, almost lunar, desert terrain around Niland, California.
MadLyn went there in July with her director/father and a cinematographer to film a video for her song “Will You Take Me Home” and she did all the things that people do in music videos — prance, skip, sing, twirl, look pensive, wear multiple outfits and toss her curly locks about.
In one scene, MadLyn was to stand in front of the mountain and hold her little dog as a camera-equipped drone zoomed in on them and passed overhead.
Lucy didn’t like that. She jumped out of MadLyn’s arms and took off.
Lucy had gone all day with no leash (she was playing the role of a stray), but when the drone approached for a close-up she “starts freaking out and jumps out of my arms and runs out into the desert,” MadLyn recounted.
As the sun went down, MadLyn, her father and the cinematographer searched for hours, on foot and by car, enlisting the help of Slab City’s other denizens, but Lucy could not be found and was not responding to their calls.
Because the cinematographer needed to get back to his family, they drove back to Los Angeles, a three and a half hour trip.
The next day, a Saturday, MadLyn called animal shelters located near Niland, printed up flyers, checked with the company Lucy’s microchip is registered with and sent out pleas on Facebook.
Then she and her father headed back to Niland to search some more for Lucy.
Sadly, and a bit ironicallly, what had happened in real life was exactly the opposite of what director Fred Fuster had in mind for the video.
While the song’s lyrics seemingly pertain to man-woman love, Fuster (being a father) envisioned a different, more innocent, interpretation of his daughter’s song.
“As director I insisted on having that story line — where this woman who has a hard time finding love meets this dog at Salvation Mountain and I guess falls in love,” he said.
But instead of finding a dog, Madlyn, in real life, lost one.
She later took her mother’s name, Madlyn, to honor her.
She has been active in raising money to fight breast cancer. Last year, she released the song, “I Call Her Mom,” with 100 percent of all digital sales going to the National Breast Cancer Foundation (NBCF).
No strangers to loss and dealing with dark times, Fuster and his daughter pulled into Salvation Mountain after nightfall to look for Lucy and seek out people who might have seen her.
They went a gathering spot in Slab City called The Range, where an open mic night was being held, and showed Lucy’s picture around.
One man told Fuster that it was unlikely a small dog like Lucy — given all the hawks and coyotes in the area — was still alive after 24 hours.
That’s when Fuster sat down and began to pray.
When he opened his eyes and looked down, there was Lucy.
After a tearful reunion, Fuster and MadLyn put Lucy in the car and gave her some water. The 18-pound dog drank 24 ounces, MadLyn says.
MadLyn, as you can see in the video at the end of this post, clearly considers what happened a miracle.
“Lucy was missing in the desert of Salvation Mountain for 24 hours completely by herself, and through the grace of God alone, she came back,” she wrote in an email to ohmidog!
She says the video is “dedicated to all shelter and foster animals looking for a loving home.”
I have a feeling Leonard Knight would like this story.
I know I do.
Posted by John Woestendiek September 20th, 2016 under Muttsblog, videos.
Tags: animals, california, dedication, dog, dogs, faith, filming, fred fuster, god, leonard knight, lost, lucy, madlyn, miracle, miracle dog, music, music video, niland, pets, rescue, salvation mountain, shelter, singer, songwriter, will you take me home
Bryan Lewis is pretty sure his dog is a Democrat — certain enough, at least, to write a country song about it.
He premiered “I Think My Dog’s A Democrat” on radio station WTVN, and the YouTube video of the debut has garnered close to a half million views since early March.
Posted by John Woestendiek March 29th, 2016 under Muttsblog, videos.
Tags: animals, bryan lewis, country song, democrat, democrats, dog, dogs, humor, i think my dog's a democrat, music, pets, politics, republicans, singer, song, video, wtvn
Daniela Andrade, a Canadian singer-songwriter, serenades her dog Dani with “Christmas Time is Here,” from A Charlie Brown Christmas.
ohmidog! wishes you a Merry Christmas.
Posted by John Woestendiek December 24th, 2015 under Muttsblog, videos.
Tags: a charlie brown christmas, canada, christmas, christmas time is here, christmastime is here, dani, daniel andrade, merry christmas, singer, song, songwriter, video
Alanis Morissette says her housekeeper took her Chihuahua mix.
The housekeeper says the singer no longer wanted the dog and asked her and her fiancé — seen in this video explaining their side of the story — to take him.
Morissette and her husband, Mario Treadway, have filed a lawsuit, seeking $25,000 and the return of the dog.
Maria Garcia, the housekeeper, and her husband Patrick Murch, a dog walker, responded with this video, claiming Morissette told them the dog was “too annoying” to keep, and arguing the dog — given he was given to them and given they have cared for him for the past year — should be theirs to keep.
They say they asked Murch and Garcia to care for the dog while Morissette was on tour, for most of 2012.
Garcia house sat for the couple during the tour. When Morissette returned in early 2013, Garcia says she was asked to take the dog home with her because his behavior had become, in Morissette’s view, “annoying and insufferable.”
Since March of 2013, Circus has lived exclusively with Murch and Garcia.
Garcia says Morissette was allergic to Circus, and that the dog was food aggressive and was relieving himself inside the singer’s house.
“Mario and Alanis were both frustrated with Circus’ behavior and said he was disruptive to their family, posed a risk to their other dogs and their child…”
In a blog called Help Circus Stay!, they add, “They gave him to us a year ago and he’s been with living with us since, happily, healthily and loved by his little family. Now they are trying to rip our family apart!”
Morissette and Treadway fired Garcia in January of this year, and filed the lawsuit seeking the return of Circus a couple of months later.
After the housekeeper and dog walker posted the video last month, Morissette and Treadway further complained that, by doing so, they have made the dog a target for dognappers, TMZ reports.
Treadway filed additional legal documents in which he said Circus “is not merely a piece of property. He is living and breathing.” Each day he is separated from the dog, he said, “[my] heart suffers more and more.”
Posted by John Woestendiek April 3rd, 2014 under Muttsblog, videos.
Tags: alanis, alanis morissette, animals, behavior, caretaker, chihuahua, circus, custody, dispute, dog, dogs, fight, given, housekeeper, issues, lawsuit, los angeles, maria garcia, mario treadway, mix, morissette, ownership, patrick murch, pets, singer, stolen
First, back in the 1990s, she wrote and recorded songs that left our hearts in shreds.
Then, in the 2000s, she teamed up with the ASPCA to make heartstring-tugging public service announcements about abused and neglected animals — ads expertly aimed at opening and emptying our tear ducts and wallets.
Now, just when she was starting show up a little less often on TV, Sarah McLachlan is back with another heartfelt plea — to save the Doberhuahua.
Obviously, that would be a mix between a Doberman and a Chihuahua. I’m sure — given our proclivity for tinkering with dogs, and dogs’ proclivity for overcoming any size disparities when it comes to messing with each other — some might really exist.
Audi enlisted McLachlan to engage in a little self-satire, as can be seen in this teaser for its Super Bowl ad — a plea by the singer to help save the misunderstood animal with “a heart as big as its head.”
It’s not clear how funny the ad itself will be, or whether it will make anyone want to buy an Audi. But seeing McLachlan lighten up is, to me, worth all $4 million or so Audi is spending to air the ad during the Super Bowl.
My guess is, when it comes the images of Audi, the Doberhuahua, and McLachlan, the ad is going to best serve that of McLachlan.
It should be pointed out here that, just as I don’t personally know any Doberhuahuas, I don’t know Sarah McLachlan. I just have this possibly faulty perception of her — based on what I’ve seen and heard, her beautiful and often sad songs, and her plaintive ASPCA ads — that she overflows with angst, carries the world’s problems on her shoulders, goes to bed crying every night, and thinks you should, too.
It’s equally possible that she, in real life, is a laugh-a-minute, happy go lucky kind of gal, and that the image I and others have of her in our heads is totally off the mark and entirely underserved — hammered in by having seen her countless times over the past decade in ads filled with crippled dogs and one-eyed cats.
Speaking out, tongue in cheek, for the the misunderstood “Doberhuahua” shows McLachlan can laugh at herself — an attribute not always evident in singer-songwriters, or animal welfare advocates. Both can get a little sanctimonious, a little heavy-handed with their messages.
As with Dobermans and Chihuahuas, there’s no reason animal welfare and sense of humor can’t unite now and then. But they rarely do.
In both cases, we think the offspring would be more cute than monstrous.
How this ad plays with animal lovers remains to be seen. They can be a pretty sensitive group, and they can be easily offended, as was the case with last year’s Super Bowl ad that highlighted greyhound racing, the one with the French bulldog that outraced them all because he was wearing Skechers.
Will Doberman fans object to the Audi ad, based on how it might stereotype their breed as all befanged and snarly? Will the ad rub pit bull fans the wrong way? Will the fictional plight of the Doberhuahua somehow detract from the very real plight of unwanted and abused dogs? Is it worth getting worked up about a fictionally engineered dog when there’s so much other real and disturbing dog engineering going on?
Time will tell. Meanwhile, I’m just glad to see Sarah smile.
Posted by John Woestendiek January 29th, 2014 under Muttsblog, videos.
Tags: 2014 super bowl, ad, advertising, animal welfare, aspca, audi, chihuahua, commercials, doberhuahua, doberman, doberman pinscher, hybrid, image, mix, perception, public, public service annoucement, sarah mclachlan, singer, songwriter, spca, stereotype, super bowl, super bowl ads, typecast, woof in advertising
Gory Bateson and Dougie Mac chose what they call “the famous dog poop sculpture in Beverly Hills” to record this “public service announcement” — a musical reminder to pick up your dog’s poop.
The sculpture isn’t really of dog poop (though there is some resemblance), it’s just modern art.
Similarly, “Gory Bateson” isn’t really Gory Bateson — he’s a modern-day artistic creation, as well.
Gateson is the internet persona of Nick Trujillo, a California State University, Sacramento, communications professor who, a la Spinal Tap, established an alter ego as the burned out former lead singer of the mythic band The Ethnogs.
It’s all aimed at exploring how viral media works — how popular sensations emerge within the new media landscape. Trujillo has posted more than 70 videos on YouTube under the guise of Gory in hopes of seeing the character go viral.
Gory said he was inspired after he happened by the silver sculpture ( “Erratic,” by artist Roxy Paine, on Santa Monica Boulevard, across from Beverly Hills City Hall). “It looked like dog poop to me. I had dogs for 25 years so I tend to see the world in dog terms.”
Gory points out that he was not paid by Beverly Hills to make the announcement, but undertook it on his own, with his fellow Ethnog, “Dougie Mac” (who’s really Dr. Bob Krizek, a professor of communication at St. Louis University.)
The song may be a fake public service announcement, performed by a made-up characters, in front of a sculpture that’s open to interpretation, but its message, Gory says, is real:
Pick up that poop.
Posted by John Woestendiek March 30th, 2010 under Muttsblog, videos.
Tags: animals, art, band, beverly hills, bob krizek, communications, dog, dog poop, dog waste, dogs, dougie mac, erratic, ethnogs, excrement, feces, gory bateson, internet, media, news, nick trujillo, ohmidog!, pets, pick up poop song, poop, poop song, professor, public service announcement, sculpture, singer, spinal tap, viral, viral media, waste, youtube
Schutt commissioned the song specifically to go with the video displaying her paintings.
“I love dogs because they have a joyful countenance, Schutt writes on her website, “they don’t hold grudges and are shameless bout their tastes and preferences. If we don’t interfere, they fell good about themselves all the time.”
Posted by John Woestendiek March 14th, 2010 under Muttsblog, videos.
Tags: animals, art, artist, dog, dog song, dogs, emily westman, music, nancy schutt, pets, seattle, singer, song, songwriter, video