It began as a joke, and maybe sorta still is, but there’s now a real magazine in Germany devoted to dog haters.
Started by a frustrated freelance journalist who was bitten by a spitz as child, “Kot & Köter,” which translates to “Poop & Pooches” in English, has just produced its second issue.
It’s 48 pages long and include articles about how excessive and obsessive we humans can get when it comes to our dogs’ deaths, and their wardrobes; three poems devoted to the evils of dog poop; and a piece of fiction about a serial dog murderer.
“There are two types of people in Germany,”the magazine’s founder and editor, Wulf Beleites, tells the Wall Street Journal. “One type loves dogs. Another type doesn’t. These are my readers.”
As Beleites tells it, the idea started as a joke, way back in 1992, when he and three fellow journalists were sitting at a pub trying to think up absurd titles for magazines. As a joke, he trademarked the name “Kot & Köter,” and later a friend who publishes a newsletter of trademarked and copyrighted names available for purchase slipped the title into a listing.
A newspaper reporter spotted the unusual magazine title and published an article about it. After that, Beleites was interviewed on the radio and, in the ensuing 6 years, 18 more times by media outlets who didn’t realize his magazine didn’t exist. Beleites would go on air and talk about the downside of dogs — from barking and biting to smelling and shedding.
For some of the appearances, he was paid. At some of them, he was booed.
The new magazine is described as “satirical.” It pokes fun at how dog-crazy many of us become. But it’s a little mean and hateful as well.
The first issue came out in July, after Beleites launched an online fundraising campaign.
Poop & Pooches joins the ranks of at least a dozen magazines for dog lovers in Germany, including Modern Dog, City Dog, Dog Avenue, Woof and SitzPlatzFuss, (which translates to SitStayHeel).
The first issue featured an article about Hitler and his dog; another looked at “slutty poodles.”
Beleites says he gets a lot of hate mail, and angry phone calls, and he was chased out of a doggie boutique (by a human) when he stopped by in an effort to get it to sell his publication.
(Top photo: Associated Press)
Posted by John Woestendiek September 18th, 2014 under Muttsblog.
Tags: animals, dog, dog haters, dog magazines, dogs, freelance, freelancer, german, germany, haters, joke, journalist, kot & koter, kot and koter, magazine, magazines, media, pets, poop & pooches, poop and pooches, publications, satirical, writer, writing, wulf beleites
Writers resurrected the straight-talking dog, killed when he was hit by a car in a recent episode, by taking a somewhat tired route, and — next to “it was all a dream” — the easiest available one.
Stewie, the diabolical Griffin family baby, used his time machine.
He went back in time and pushed Brian out of the way of the speeding car that claimed his life three weeks ago.
Stewie’s time machine has often been part of “Family Guy” storylines. It surfaces again — even though some viewers may remember it being destroyed in another episode — to allow Stewie to reclaim the family dog.
The time machine. How can something that hasn’t been invented yet already be so … dated?
We’d suggested (though far too late) that the writers return Brian by having the family send some of his tissue to South Korea for cloning. Unlike time machines, dog cloning technology — preposterous as it may be — is real and available (if you have $100,000 to shell out).
It would have been a chance for the show to cover some new and edgy issues, to show it was keeping up with the times and, given the realities of dog cloning, the writers could have taken the concept to some pretty interesting places.
Instead they broke out the old time machine.
Brian’s death three weeks ago led to mourning and protest among “Family Guy” fans. While many suspected it was only a temporary death — Brian being the show’s most likeable character — a petition on the website Change.org collected over 128,000 signatures from people asking Fox to bring the dog back to the animated comedy series, the Los Angeles Times reported.
Viewers do not like it when the dog dies, even if it’s an animated one.
In Sunday’s episode, “Christmas Guy,” it was revealed that Stewie, by going back in time, was able to save Brian from getting struck by a car. How did he get back in time, given the time machine was broken? He found another version of himself, here from another time, and borrowed that Stewie’s time machine.
Sure it’s a stretch, but then “Family Guy” has always been about stretching.
In this particular instance, we think series creator Seth MacFarlane could have stretched in a different, more interesting, more topical, direction.
But we can’t help but agree with the message he Tweeted to fans about the episode:
“And thus endeth our warm, fuzzy holiday lesson: Never take those you love for granted, for they can be gone in a flash.”
Posted by John Woestendiek December 17th, 2013 under Muttsblog.
Tags: animals, animated, brian, brian is back, brian the dog, characters, cloning, comedy, dog, dogs, family, family guy, fox, griffin, pets, plot, resurrection, return, series, seth mcfarlane, stewie, story, television, the family guy, time machines, writers, writing
Get back to where you once belonged
— The Beatles
You can’t go home again
— Thomas Wolfe
The Beatles had more memorable lyrics — “Ob-la-di, ob-la-da” notwithstanding — but Thomas Wolfe (and here we mean the “Look Homeward Angel” one, not the modern-day, white-suited “Right Stuff” one) is probably best remembered for that one phrase, which also served as the title of one of his fine books.
“You can’t go home again” — meaning, of course, not that you can’t physically return, but that, if and when you do, what was there then isn’t likely to be there now, or how you remembered it isn’t how it is now, or maybe even how it was then, or that time has a way of erasing your past, just as it will one day lay claim to your future.
Whether one can go home again has been a recurring theme of Travels With Ace. In our journey, we’ve revisited the places of my youth — in Houston, in Tucson, in New York, and in Raleigh. (I had a lot of homes, both in my youth and since — 28 in 16 different towns.) Sometimes the reconnection has been strong; sometimes it has been faint. But you can go home again.
And I am.
A week from now I’ll be settling into the modest little apartment unit in Winston-Salem, North Carolina in which my parents lived when I entered the world — not with with a bang (though obviously that occured at some point) but with a whimper.
Now, in the denouement of, if not life, at least this blog, it’s back to John: Chapter One, Verse One.
(Note: At 57, I’ve found I prefer my metaphors mixed. So I run them through the blender, on puree, sometimes with an added pinch of Metamucil, ridding them of the hard to digest lumpy bits. They are both tastier and easier to swallow that way.)
In the beginning was the word — and I was born of two wordsmiths. I followed their footsteps into the newspaper industry, put in 35 years or so, then — as newspapers became glimmers of their former selves — jumped ship to write a book, and write these blogs, and find a new identity to replace my old one.
Now, I’ll be stringing them — words, I mean — together in the same room where I once rattled the rails of my crib, documenting the denouement, or the final resolution of the intricacies of my plot, if indeed I have either plot or intricacies.
It will be — at least for a while — the somewhat circular ending of my year on the road with my dog Ace, who has helped me reach the decision.
We came here to spend a couple of months close by my mother, and to reconnect with my own roots, much like I sought out Ace’s several years ago.
It was on the way home from one such reconnection, a family reunion, that my mother showed me the house she and my father lived in when I was born. In the window was a “for rent” sign. There was only one step up to enter.
I signed a lease — as is my style, and given my lack of a plot — on a month-to-month basis.
So next week, given my birthplace is unfurnished, it’s back to Baltimore to reclaim my stuff, now nested in a storage unit on Patapsco Avenue.
Then we’ll lug it all back to College Village, a spanking new apartment complex when my mother and father moved in 60 years ago. Now, it’s far less upscale than its surrounding neighborhood, a collection of mostly squat brick units that look like something you’d see on an Army base.
I, having only lived there one year, and it having been my first, have no real memories of it, but it was interesting to see, when I brought her over for a visit, how it triggered some for my mother.
Ace, too, seemed to like it better than the basement. When we dropped by to sign the lease, his tail was up and wagging. He visited the tiny kitchen, then sniffed out the two bedrooms, paying far more attention to the front one. Did my baby smells still linger after 57 years? Only then did he walk up to meet the landlord and his daughter.
As the landlord ripped the “for rent” sign off the front window, I think my dog and I came to the same conclusion — that one intricacy at least, at last, had been resolved, and that we were home, for now.
Posted by John Woestendiek April 7th, 2011 under Muttsblog.
Tags: ace, animals, birthplace, childhood, college village, dog inc., dogs, heritage, home, homes, homeward, journey, memories, mixed metaphors, north carolina, pets, reconnecting, return, reunion, road trip, roots, the beatles, thomas wolfe, traveling with dogs, travels with ace, winston-salem, wordsmith, writer, writing, you can go home again, you can't go home again, youth
For this story, you need to go back to the year you entered the real world, the working world, the man-up (or woman-up), you’re-on-your-own-now world.
For me, it was at age 21 — like many I was able to forestall my entry into it with college — but, during my senior year, I started looking for a job in journalism. After more rejection than I care to remember, I finally got an offer — to be a reporter for the Arizona Daily Star in Tucson.
There was a three-month probationary period and, self confidence never having been my strong suit, I decided — here in what appeared to me, as an easterner, a lonely and alien land of dust and cacti — to live somewhere I wouldn’t have to sign a year-long lease.
That’s how I ended up at the Howdy Manor.
It was old even then, as were all the other little motels that lined Benson Highway — a once major thoroughfare that, when the Interstate came, saw its clientele turn from tourists to transients.
The Howdy Manor wasn’t nearly as hospitable as its name sounded, but it had a kitchenette, and it was close to the newspaper, and the price was right, given my $160 a week starting salary — $5 a night, if you signed up for a full week.
At first, it was a depressing little place, full of people I didn’t think I wanted to meet. And given my shift, I didn’t. I worked 4 p.m. to 1 a.m., spending most of that time at the Tucson Police Department, waiting for crimes to occur. (Now there’s no waiting). The captain was Linda Ronstadt’s brother, and the desk sergeant was a big man with a mustache man who always greeted me the same way when I came in: “How’s your hammer hangin’?”
I was always a little intimidated by the question, and try as I might to come up with an appropriate answer — “Oh, it’s hangin’,” or “quite well, thank you” — I never did.
In the wee hours of the morning, I’d get back to Howdy Manor, lock my door, turn on the TV — I’m pretty sure it was black and white — and heat up something on the stove to eat while I watched Perry Mason reruns, until falling asleep. Around noon, I would wake up, eat, shower and it would be time for work again.
My stay at the Howdy Manor — I can’t remember now if it was for only one month or all three, before I moved into a modern, boring apartment — came during one of only two two-year periods in my life that I didn’t have a dog. I probably could have used one. I was, except for work, leading the insular life I’m prone to slip into.
That, though maybe I didn’t realize it at the time, was why I got into journalism — to force myself into the world, to force myself to meet people, to force myself to learn new things. It was one of the best decisions I ever made, despite the fact that the industry’s hammer hasn’t been hanging to well for more than a decade now.
The point is, the time came, there at the Howdy Manor, that I got tired of being in my room, that I ventured out and met its other denizens — or at least those who weren’t bigger recluses than me. And I found them — just as I found the people I’d encounter on the job, which took me, in siren-chasing pursuit, to neighborhoods of every ilk — fascinating.
That is probably when, rather than ignoring and evading oddballs, I started seeking them. That’s when I began to realize that the common man isn’t really common at all, and I’d much rather rub elbows with him than schmoozers in suits.
So, as another leg of my six-month journey with my dog across America came to a close, I decided I needed to visit the Howdy Manor, or at least where it once stood, before my planned month-long layover in Phoenix.
To my surprise, when I looked it up on the Internet, it seemed to still exist — mostly in newspaper crime reports, some of which provided the address.
But when I hit Benson Highway earlier this week, I couldn’t find the Howdy Manor, or the address. Eventually, I realized the relevant portion of the highway, rather than having disappeared, is still there; it’s just a matter of making a couple of turns after it seemingly comes to a stop. I found the proper block and drove slowly down it — passing the Lariat, the Western, the Bucking Bronc and several other motels and trailer parks with cowboy names. But not, as far as I could see, the Howdy Manor.
The block looked a little more faded, a little more battered — but pretty much otherwise exactly as it did when I left it. It could still be 1975 there.
Today’s Howdy Manor appears even more down at the heels than it was when I — fearful and uncertain, young and naive — became a resident. It’s a little more worn and torn, and the plywood cowboy who I recall stood waving his hat in welcome is gone now, replaced by a sandwich board sign, supported by cinderblocks.
I pulled over, and was immediately approached by a young woman who asked me what was wrong. “Nothing,” I answered, I’m just looking. I used to live here. Thirty-five years ago. It was five dollars a night.”
It’s now $99 a week, she pointed out, and $20 a night. That’s what her brother pays. She pointed me in direction of manager, and I knocked on the door.
A girl with blue hair and multiple face piercings opened it, and called her mother. When she came to the door, I told her I used to live there, 35 years ago, and that it was only $5 a night. She was unmoved and unimpressed.
“No,” I answered, “but could you give me the name of the owner? I’d like to talk to him”
“Why would you want to do that?”
“To learn more about the history of the place,” I answered.
“Why would you want to do that?”
“So I can write about it.”
“Why would you want to do that?”
“Because I’m a writer.”
Our conversation seemed to be going in circles, so I thanked her, excused myself and got back in the car, leaving a trail of dust in my wake as I pulled out.
Back on Benson Highway, I thought back to the old days, and compared them to my current ones. Back then, I managed to make it through my probationary period, to learn the ropes, and to fall in love with the desert and Tucson. After three years there, I spent 30 more in a newspaper career that wasn’t entirely undistinguished.
When I left the business, I wrote a book, and continued to write my own website, making about enough in the latter pursuit to afford the modern-day Howdy Manor, if I paid by the week.
In some ways, I’m even more insecure than I was when I moved into my motel room with a kitchenette in Tucson 35 years ago. I have no real job, no health insurance, no boss, no salary — not even a salaryette.
But, two years after departing the newspaper industry, I continue — stupidly, maybe — doing the thing I love and know how to do: seek out stories and write them. I continue to occupy, like some kind of squatter, my former occupation.
Because I’m a writer, dammit.
And that, good sir, is how my hammer hangs.
Posted by John Woestendiek November 30th, 2010 under Muttsblog.
Tags: animals, arizona, benson highway, desert, dog's country, dogs, dogscountry, economic, economy, employed, first jobs, howdy manor, identity, income, insecurity, jobs, journalism, motels, newspapers, occupation, pets, real world, salary, security, tourism, travel, travels with ace, tucson, uncertainy, unemployed, writers, writing
While traveling with Charley in 1960, John Steinbeck worked in a few visits with family — his son in college, a rendezvous with his wife in Chicago — but he made a point of not including details of those encounters in the book he eventually produced.
They would create, he wrote, a “disunity.”
Instead, the famous writer, traveling the country and using his dog to get people to open up to him, bare their souls and spill their guts, chose to keep his own private life unbared, unspilled and, well, private.
While we’re following Steinbeck’s route, we’re not following that philosophy. That is why you’ve read about our visits with my mother, my father, my brother, an ex-wife and to the former home of my grandparents.
All of this, along with Interstate 94 and my perpetual quest for free lodging, brings us to my sister’s home in Wisconsin.
She’s a writer of hymns and a singer of songs who grew up on 60’s music. Long before karaoke machines, she was a hard core singalonger. Or, when no radio was around, a singaloner. She, unlike me — who will sing only when alone (except for Ace) — rarely hesitates to sing, no matter how many people might be around.
She also used her singing to torture me — not that her voice is bad, it’s actually quite good. But — at a time when you don’t even like girls yet — you don’t want one singing sappy girl songs in your face, and she’s always leaned toward the sappy girl songs.
When John Steinbeck left Long Island and hit the road 50 years ago with his poodle to take the pulse of America, he found one of the places to take that pulse was the radio. Radio stations at the time were still playing “Teen Angel,” a morbid little number that told the story of a teenage girl being killed by a train while trying to retrieve the high school ring her boyfriend gave her.
Steinbeck didn’t quite get the name right in “Travels With Charley,” but he did note how the song — No. 1 on the Billboard Hot 100 for two weeks earlier that year — seemed to be playing everywhere he went — that America, at least in terms of its music, was becoming pretty homogenized:
“If ‘Teen-Age Angel’ is top of the list in Maine, it is top of the list in Montana. In the course of the day you may hear ‘Teen-Age Angel’ thirty or forty times.”
The song, recorded by a one hit wonder named Mark Dinning, was a continuation of a gloomy theme — the third No. 1 song in a row at the start of 1960 that featured a love-related death.
The 60’s may have kicked off on a hopeful note, but there was plenty of angst even then, at least in our music. Before Teen Angel, there was “El Paso,” by Marty Robbins — the story of a cowboy who gunned down the man he caught wooing his woman (Felina, who worked in Rosa’s Cantina). He hightailed it out of of town, but was drawn back by his love for Felina. Upon his return, he was gunned down, but at least got a kiss from Felina before he died.
After that came “Running Bear,” by Johnny Preston. Running Bear, you might recall, loved Little White Bird – and vice versa — and they both jumped into a raging river to reach each other’s arms, only to get sucked under and drown once they did.
Popular music got a little cheerier and even cheesier after that — with lots of songs about the foolishness of love, including several plaintive chart-toppers by Brenda Lee.
A couple of months before Steinbeck departed on his journey, “I’m Sorry” rose to the top of the charts — a song I remember well because my sister used to sing it constantly, and, once she realized it annoyed me, right in my seven-year-old face.
The worst torture, though, would come two years later, with the release of the song “Johnny Angel,” by Shelley Fabares. My sister would delight in singing me — being a John, though not a Johnny –the sappy tune. She was 14 by then, I was nine. The more I appeared to be bothered by it, the more she did it, which taught me a lifelong lesson.
Today, in the home she shares with her husband in DeForest, outside Madison, she has her own karaoke machine, which she fires up frequently. Unlike the young me, the machine serves as both her accomplice and audience, and doesn’t run to another room.
Her husband, also named John — and a true appreciator of her singing — has a connection to another singer, I just learned today. When he was in the 7th grade in Dumfries, Virginia, he was assigned to be the escort of one of four finalists vying to be selected queen of the winter dance.
Parents and teachers served as judges for the contest, and they picked the girl he’d been chosen to escort — the daughter of a marine. She was cute, he recalled, the fastest runner on the playground and prone to wearing “puffy-shouldered dresses.”
The year was 1959, and the girl was Emmylou Harris.
Now that I’m grown up, I don’t think I’d mind Emmylou Harris (a true dog lover, by the way) singing “Johnny Angel” to me — even in my face. My sister singing it to me, however, is still bothersome. How do I know? Because even now, as I look up the song on YouTube, she is doing it again. She’s singing along. And she’s 61. And I’m 57. And I want to run into the other room.
Johnny Angel, how I love him.
He’s got something that I can’t resist,
but he doesn’t even know that I exist.
I’m pretending it’s not bothering me at all.
Posted by John Woestendiek October 25th, 2010 under Muttsblog.
Tags: '60's, 1960s, ace, animals, brenda lee, deforest, dog's country, dogs, dogscountry, el paso, emmylou harris, essay, family, freeloading, gril, hymns, i'm sorry, john steinbeck, johnny angel, johnny preston, karaoke, love, marty robbins, music, personal, pets, running bear, sappy, shelly fabares, siblings, sister, sixties, songs, teasing, teen angel, travels with ace, travels with charley, wisconsin, writers, writing
This one’s about a dog named Stella, a carny named Barney and the woman who sort of adopted them both — a Nashville photographer who motored up to Baltimore last week to carry out Barney’s last wish: that his ashes be spread upon the grave of his mother.
Susan Adcock became enamored with carnival workers more than a decade ago, and continued to count them as her friends long after she completed a newspaper assignment documenting their lives in photos. A highly compassionate sort, she helped them through troubles and sometimes even gave them shelter in her own home.
Among those she befriended was Barney, a down on his luck, hard drinking sort from Baltimore who she met while taking carnival photos. Barney, for a while, had a job as Barney, the dinosaur. He’d put on his purple dinosaur outfit and delight when the audience cheered and called his name, which was actually his name.
When Barney died, it was Susan who saw to it that he was cremated, in accordance with his wishes, Susan who took possession of his ashes, and Susan who cleaned out his apartment.
“I packed up his apartment over the weekend and by Monday afternoon, twelve years of hard living evaporated into space,” she wrote on Pitcherlady.com, one of her blogs. “People that hadn’t seen Barney in forever stopped by to say how sorry they were. They asked for things and I didn’t mind them asking. Most of them loved Barney too. Just not enough to stop by and help him get to the bathroom when he needed it …”
The next day, she took the Baltimore native’s ashes back to her house in Nashville, and found some comfort in having them around.
“Often you have three days or so to say goodbye and then that person in in the ground under a stone. This experience taught me that being able to take the remains of the deceased home with you is much more bearable. I knew in my head that Barney was gone but I was able to sit the box on my kitchen table and we hung out all summer together. That was a gift. My grief was tempered by having him around.”
As summer wound down, Susan planned the trip to Baltimore. Barney wanted to be “returned to the arms of his mother.” She died in 1978. This week, Susan drove to Baltimore with her dog Stella in the back seat, and Barney’s boxed ashes in the front. She took the ashes to a cemetery on Eastern Avenue, where she me Barney’s daughters, and a grandson he had never met.
“Their pictures used to be stuck on the side of his refrigerator with magnets and he told me once that he wanted them there so he could see them from his bed whenever he looked up. He used to tell them goodnight before he went to sleep, ‘like the Waltons,’ he said.”
Barney was a big fan of TV, and, for 12 years, never turned off the one in his apartment. “I remembered Barney saying once that wherever he ended up, they better have cable,” Susan wrote.
Once Susan accomplished her mission and the ashes were spread, she — along with Stella, a pit bull also adopted from the carnival — saw a little of Baltimore. She visited Edgar Allan Poe’s house, they took a ride in a water taxi, and she went in search of crab cakes — finding none below $20. That’s when she wrote me.
A regular reader and commenter on ohmidog!, Susan knew Ace and I were on the road, and didn’t know we were back in Baltimore for a bit. Long story short, as they say, we emailed back and forth, talked on the phone, met with our dogs in Riverside Park, and went to Captain Larry’s for crabcakes.
Susan, though she has a degree in psychology, decided to become a full-time photographer almost 20 years ago. You can see her work on her blogs, including pitcherlady and carnydog, which centers on Stella, the pit bull she adopted two years ago. Stella belonged to some carnival workers and was three months old when Susan took her in. By then, she — Stella — had already been to four state fairs and a variety of other spots throughout Wisconsin and Illinois.
Knowing how hard carnival life can be, on dogs and people, Susan volunteered to adopt her and the owners agreed.
Stella and Susan left Baltimore Thursday, headed for a visit to the beach before going back to Nashville. We wish them safe travels, and count ourselves lucky to have met someone so compassionate, so talented and so aware that not every creature in need of rescue has four legs.
(Photos: Barney photo by Susan Adcock; Stella photos by John Woestendiek)
Posted by John Woestendiek September 10th, 2010 under Muttsblog.
Tags: ace, animals, ashes, baltimore, barney, blogs, carnival, carnival life, carny, carnydog, carnys, cemetery, compassion, cremated, dog's country, dogs, last wishes, pets, photographs, photography, pit bull, pitcherlady, remains, road trip, stella, susan adcock, travels with ace, workers, writing
A Houston-area kennel worker claims the movie “Beverly Hills Chihuahua” was, basically, his idea, and that the Walt Disney Company stole it from him.
Zenon Yracheta has sued the entertainment giant in federal court, saying the similarities between the movie and a story he wrote called “The 3 Chihuahuas” are many — and that he spoke with Disney officials about his idea in 2006.
Disney has asked a federal judge to dismiss the lawsuit, arguing that the movie, which was released last year and grossed $130 million, bears little resemblance to Yracheta’s script, according to the Houston Chronicle.
While both stories feature hero dogs, villain dogs, talking dogs, traveling dogs and chase scenes, they have vastly different premises, Disney says.
In Beverly Hills Chihuahua,” a pampered California Chihuahua is taken by its owner’s niece to Mexico, gets lost, nearly winds up in a dog-fighting ring but escapes and is chased by a mean fight master, a sidekick and his nasty dog before finding her roots, romance, and her way back home.
In “The 3 Chihuahuas,” three Chihuahuas escape from their jobs as acrobats in a South Texas circus and head to Hollywood while pursued by their mean ringmaster, a sidekick and his nasty dog. As with the movie, the Chihuahuas have different ethnic personas. In the end they are rescued by a kind woman who turns out to be Beyoncé Knowles’ aunt. The three dogs eventually wind up living in a California mansion with the singer.
Yracheta said he was enraged when he saw the movie last year, jotting down the similarities between the film and his story.
Yracheta said he got the idea for “The 3 Chihuahuas” after three Chihuahuas ran in front of his car in a rural town near Houston. He worked up a three-page story, then commissioned a screenwriter to write the screenplay.
Disney denies the screenwriters saw or were told about his work.
Posted by John Woestendiek March 21st, 2010 under Muttsblog.
Tags: beverly hills chihuahua, chihuahuas, court, dogs, entertainment, federal court, houston, idea, industry, judge, kennel worker, lawsuit, movie, movies, screenplay, similarities, stolen, storyline, The 3 chihuahuas, walt disney company, writer, writing, Zenon Yracheta